The Term „Film Music“ against the Background of the Research on Music Preferences of Czech University Students to Artificial Music of the First Two-Thirds of the 20th Century

MUSIL, Ondřej. The Term „Film Music“ against the Background of the Research on Music Preferences of Czech University Students to Artificial Music of the First Two-Thirds of the 20th Century. In Young Musicology Prague : Czech and European Avant-garde Music of the Early 20th Century. 2016.

Základní údaje

Originální název

The Term „Film Music“ against the Background of the Research on Music Preferences of Czech University Students to Artificial Music of the First Two-Thirds of the 20th Century

Název česky

Pojem „filmová hudba“ na pozadí výzkumu postojů vysokoškolských studentů v ČR k artificiální hudbě prvních dvou třetin 20. století

Autoři

MUSIL, Ondřej

Vydání

Young Musicology Prague : Czech and European Avant-garde Music of the Early 20th Century, 2016

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Další údaje

Jazyk

čeština

Typ výsledku

Prezentace na konferencích

Obor

50300 5.3 Education

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Organizační jednotka

Pedagogická fakulta

Klíčová slova anglicky

music preferences; 20th century music; film music; classical music; music research; audio questionnaire

Příznaky

Mezinárodní význam

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Anotace

V originále

The introduction of this contribution was focused on a classification of film music and its theoretical, aesthetical and general artistic bases. The main part of the paper dealt with partial results of a research on the music preferences conducted by the Department of Music at the Faculty of Education at Masaryk University. Concretely, it was an analysis of free answers given by the respondents, who did an assessment of chosen music samples in an audio questionnaire, where representatives of the „neo-styles“, as well as the avant-garde turned up. Many answers referred to parallels between classical and film music. On basis of the results, some possible reasons were set out, that might be responsible for the mentioned similarities. All was followed with music samples from both areas of music production, purposefully chosen in order to compare similar ways of composing.