2017
From Byzantium to Holy Russia. Nikodim Kondakov (1844-1925) and the Invention of the Icon
FOLETTI, IvanBasic information
Original name
From Byzantium to Holy Russia. Nikodim Kondakov (1844-1925) and the Invention of the Icon
Authors
FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution)
Edition
Roma, 284 pp. Studia Artium Mediaevalium Brunensia 5, 2017
Publisher
Viella
Other information
Language
English
Type of outcome
Book on a specialized topic
Field of Study
60401 Arts, Art history
Country of publisher
Italy
Confidentiality degree
is not subject to a state or trade secret
Publication form
printed version "print"
RIV identification code
RIV/00216224:14210/17:00097207
Organization unit
Faculty of Arts
ISBN
978-88-6728-752-9
UT WoS
000501571500003
Keywords in English
Nikodim Pavlovich Kondakov; historiography; Icon; Byzantine Art
Tags
Tags
Reviewed
Changed: 4/3/2020 12:07, prof. Ivan Foletti, MA, Docteur es Lettres, Docent in Church History
Abstract
In the original language
Tracing the life and work of Nikodim Kondakov, a pioneer in the field of late Antiquity and Byzantium in eastern Europe, this biography is a true tale of adventure. It follows the complicated and challenging events in Kondakov’s life before and after the Russian Revolution, from his humble beginnings to his university studies and analyzes his inspired creation of an innovative and precocious study of art history in Russia. From a brilliant and successful career to the trauma endured during the Russian Revolution, the story becomes one of wandering and dependence; nevertheless, and in spite of the shift in history and in his own life, Kondakov’s studies sketch a vast geography of Late Antique and medieval culture from the Mediterranean to the Urals. The work approaches distant horizons, giving a glimpse of the migrations from Asia and the inception of medieval Europe with its Christian values; and it travels the paths of history along trails marked by artifacts and monuments. Reconstructing the personal and existential events in Nikodim Kondakov’s life contributes to the understanding of a critical phase in the founding of art history and, more broadly, the histories of Russia and of the countries the scholar traversed during a long life filled with tribulations.