The Czechoslovak-East German Co-production Tři oříšky pro
Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for
Cinderella : A Transnational Tale

C 2017

The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale

SKOPAL, Pavel

Základní údaje

Originální název

The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale

Autoři

SKOPAL, Pavel

Vydání

Londýn, Popular Cinemas in East Central Europe : Film Cultures and Histories, od s. 184-197, 14 s. International Library of the Moving Image, 17, 2017

Nakladatel

I. B. Tauris

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60405 Studies on Film, Radio and Television

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/17:00097989

Organizační jednotka

Filozofická fakulta

ISBN

978-1-78453-397-7

Klíčová slova anglicky

co-productions; transnational cinema; Barrandov; DEFA; fairy-tale; children cinema

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 5. 11. 2018 23:42, doc. Mgr. Pavel Skopal, Ph.D.

Anotace

V originále

Although fairy-tales were among the most popular genres both in the GDR and in Czechoslovakia, there was no guarantee that Three Nuts for Cinderella would achieve equal success in both countries. Yet, despite the differences in the respective concepts of filmmaking for children this is exactly what happened. The smooth and successful implementation of the co-production traced in this paper was conditioned by the East German studio’s appreciation of the Czechoslovak approach to the genre, as well as by DEFA’s fondness for Barrandov’s scriptwriters and directors. The exceptionally successful co-production Three Nuts for Cinderella highlights some of the advantages as well as certain pitfalls of those international projects established between film studios from two Soviet bloc countries that focused on popular genre production. Rather than the product of a magic formula for a popular fairy-tale genre film, the success of Three Nuts for Cinderella was a result of a pragmatic alliance that united two production facilities under a singular creative concept built around a transnational story.

Návaznosti

MUNI/A/1077/2016, interní kód MU

Název: Kontinuita a změna v dějinách kinematografie

Investor: Masarykova univerzita, Kontinuita a změna v dějinách kinematografie, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Přiložené soubory

Skopal_Popular_cinemas.pdf

Požádat o autorskou verzi souboru

Citovat

SKOPAL, Pavel. The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale. In Ostrowska, Dorota; Pitassio, Francesco; Varga, Zsuzsanna. Popular Cinemas in East Central Europe : Film Cultures and Histories. Londýn: I. B. Tauris, 2017, s. 184-197. International Library of the Moving Image, 17. ISBN 978-1-78453-397-7.

@inbook{1393096,
   author = {Skopal, Pavel},
   address = {Londýn},
   booktitle = {Popular Cinemas in East Central Europe : Film Cultures and Histories},
   editor = {Ostrowska, Dorota; Pitassio, Francesco; Varga, Zsuzsanna},
   keywords = {co-productions; transnational cinema; Barrandov; DEFA; fairy-tale; children cinema},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Londýn},
   isbn = {978-1-78453-397-7},
   pages = {184-197},
   publisher = {I. B. Tauris},
   title = {The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale},
   year = {2017}
}

TY  - CHAP
ID  - 1393096
AU  - Skopal, Pavel
PY  - 2017
TI  - The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale
VL  - International Library of the Moving Image, 17
PB  - I. B. Tauris
CY  - Londýn
SN  - 9781784533977
KW  - co-productions
KW  - transnational cinema
KW  - Barrandov
KW  - DEFA
KW  - fairy-tale
KW  - children cinema
N2  - Although fairy-tales were among the most popular genres both in the GDR and in Czechoslovakia, there was no guarantee that Three Nuts for Cinderella would achieve equal success in both countries. Yet, despite the differences in the respective concepts of filmmaking for children this is exactly what happened. The smooth and successful implementation of the co-production traced in this paper was conditioned by the East German studio’s appreciation of the Czechoslovak approach to the genre, as well as by DEFA’s fondness for Barrandov’s scriptwriters and directors. The exceptionally successful co-production Three Nuts for Cinderella highlights some of the advantages as well as certain pitfalls of those international projects established between film studios from two Soviet bloc countries that focused on popular genre production. Rather than the product of a magic formula for a popular fairy-tale genre film, the success of Three Nuts for Cinderella was a result of a pragmatic alliance that united two production facilities under a singular creative concept built around a transnational story.
ER  -

SKOPAL, Pavel. The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale. In Ostrowska, Dorota; Pitassio, Francesco; Varga, Zsuzsanna. \textit{Popular Cinemas in East Central Europe : Film Cultures and Histories}. Londýn: I. B. Tauris, 2017, s.~184-197. International Library of the Moving Image, 17. ISBN~978-1-78453-397-7.

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