2017
The Melancholy of Urban Childhood : Liminality in Madeleine Thien’s Simple Recipes
HORÁKOVÁ, MartinaZákladní údaje
Originální název
The Melancholy of Urban Childhood : Liminality in Madeleine Thien’s Simple Recipes
Autoři
HORÁKOVÁ, Martina (203 Česká republika, garant, domácí)
Vydání
Frankfurt am Main, In-Between : Liminal Spaces in Canadian Literature and Culture, od s. 187-197, 11 s. Canadiana, 2017
Nakladatel
Peter Lang
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
60206 Specific literatures
Stát vydavatele
Německo
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Kód RIV
RIV/00216224:14210/17:00098768
Organizační jednotka
Filozofická fakulta
ISBN
978-3-631-73569-5
Klíčová slova anglicky
liminality; Madeleine Thien; Simple Recipes
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 6. 3. 2018 13:17, Mgr. Igor Hlaváč
Anotace
V originále
This article provides a close reading of Canadian author Madeleine Thien’s collection of short stories Simple Recipes (2001) in order to explore how the concept of liminality can be used to articulate Thien’s characters’ sense of (un)belonging, their identity negotiation and their experiences of transitions. Liminality, in the broader sense of a threshold moment, the period or place in-between, is analyzed from two perspectives: the first is temporal and relates to Thien’s elaborate anatomy of growing up, the transition from childhood to adulthood marked by a sense of loss, abandonment, and grief caused by mostly dysfunctional family relationships. The other kind of liminality relates to her depiction of liminal spaces, both in private and public settings of suburban Vancouver. The relationship between indoor and outdoor space is particularly intricate: while the domestic space is often a source of negative emotions which the young characters long to escape, the cityscape provides a seeming safety and a sense of belonging, particularly for the second generation of characters from immigrant families. Thus I argue that Thien’s stories, by interweaving these two kinds of liminality present specific aesthetics in which most characters find themselves in a transient, restless mode of living, lingering between childhood and adulthood, between indoor/domestic and outdoor/public spaces, and only rarely do they find closure or a resolution. The threshold moments and transitions, in spite of offering a temporary liberation, often lead to a state of melancholy experienced by the characters—a state marked by the difficulty, if not impossibility, to transcend loss, grief and mourning.
Návaznosti
MUNI/A/1065/2016, interní kód MU |
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