Poetics of the psychological game: The role of the epigraph in
the short stories by E. A. Poe

J 2017

Poetics of the psychological game: The role of the epigraph in the short stories by E. A. Poe

SHEMSHURENKO, Oksana, Guzel GOLIKOVA a Monika ŠEVEČKOVÁ

Základní údaje

Originální název

Poetics of the psychological game: The role of the epigraph in the short stories by E. A. Poe

Autoři

SHEMSHURENKO, Oksana (643 Rusko), Guzel GOLIKOVA (643 Rusko) a Monika ŠEVEČKOVÁ (203 Česká republika, garant, domácí)

Vydání

Astra Salvensis - review of history and culture, 2017, 2457-9807

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60201 General language studies

Stát vydavatele

Rumunsko

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14640/17:00100406

Organizační jednotka

Centrum jazykového vzdělávání

Klíčová slova anglicky

romanticism; E. A. Poe; epigraph; double play; the principle of mirror reflection; duality; a hoax; a counterpoint

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 17. 5. 2018 14:55, PaedDr. Marta Holasová, Ph.D.

Anotace

V originále

In this paper we consider the originality of the techniques of romantic writings by E. A. Poe and, above all, the peculiarities of creating by the writer the strategies of the psychological game in the "terrible" (psychological) stories. Realizing the principle of the unity of aesthetic effect in the creation of his works, Poe skillfully uses specific artistic techniques. A unique place belongs to the epigraph to the text, the function of which in the short stories of the author is ambiguous. The epigraphs can set the stylistic tone of the work, stripping its meaningful dominant; foreign-language epigraphs; "quasi quotation"; the epigraph, "arguing" with the text are distinguished. Foreign-language epigraphs to the famous short stories "The fall of the house of Usher" and "Morella" create the effect of the psychological games that "support" the game of doubles, increase the author's mystification, become a mirror of the psychology of the characters, their bifurcated consciousness, the struggle of consciousness and sub-consciousness of the individual. The playing field of the text is determined by the situation of the unity of the dualistic psychological well-being that initially already included in the epigraphs to the short stories. In the short story "The fall of the house of Usher" an epigraph-counterpoint is realized and the whole short story can be regarded as a psychological mirror of the soul split not only of Roderick and the hero-narrator, but the author himself, and at the same time as art semantic extension of the epigraph. In the short story "Morella" the epigraph may also be regarded as the key -epigraph to the cipher.

Citovat

SHEMSHURENKO, Oksana, Guzel GOLIKOVA a Monika ŠEVEČKOVÁ. Poetics of the psychological game: The role of the epigraph in the short stories by E. A. Poe. Astra Salvensis - review of history and culture. 2017, roč. 1/2017, č. 4, s. 95-101. ISSN 2457-9807.

@article{1411528,
   author = {Shemshurenko, Oksana and Golikova, Guzel and Ševečková, Monika},
   article_number = {4},
   keywords = {romanticism; E. A. Poe; epigraph; double play; the principle of mirror reflection; duality; a hoax; a counterpoint},
   language = {eng},
   issn = {2457-9807},
   journal = {Astra Salvensis - review of history and culture},
   title = {Poetics of the psychological game: The role of the epigraph in the short stories by E. A. Poe},
   volume = {1/2017},
   year = {2017}
}

TY  - JOUR
ID  - 1411528
AU  - Shemshurenko, Oksana - Golikova, Guzel - Ševečková, Monika
PY  - 2017
TI  - Poetics of the psychological game: The role of the epigraph in the short stories by E. A. Poe
JF  - Astra Salvensis - review of history and culture
VL  - 1/2017
IS  - 4
SP  - 95-101
EP  - 95-101
SN  - 24579807
KW  - romanticism
KW  - E. A. Poe
KW  - epigraph
KW  - double play
KW  - the principle of mirror reflection
KW  - duality
KW  - a hoax
KW  - a counterpoint
N2  - In this paper we consider the originality of the techniques of romantic writings by E. A. Poe and, above all, the peculiarities of creating by the writer the strategies of the psychological game in the "terrible" (psychological) stories. Realizing the principle of the unity of aesthetic effect in the creation of his works, Poe skillfully uses specific artistic techniques. A unique place belongs to the epigraph to the text, the function of which in the short stories of the author is ambiguous. The epigraphs can set the stylistic tone of the work, stripping its meaningful dominant; foreign-language epigraphs; "quasi quotation"; the epigraph, "arguing" with the text are distinguished. Foreign-language epigraphs to the famous short stories "The fall of the house of Usher" and "Morella" create the effect of the psychological games that "support" the game of doubles, increase the author's mystification, become a mirror of the psychology of the characters, their bifurcated consciousness, the struggle of consciousness and sub-consciousness of the individual. The playing field of the text is determined by the situation of the unity of the dualistic psychological well-being that initially already included in the epigraphs to the short stories. In the short story "The fall of the house of Usher" an epigraph-counterpoint is realized and the whole short story can be regarded as a psychological mirror of the soul split not only of Roderick and the hero-narrator, but the author himself, and at the same time as art semantic extension of the epigraph. In the short story "Morella" the epigraph may also be regarded as the key -epigraph to the cipher.
ER  -

SHEMSHURENKO, Oksana, Guzel GOLIKOVA a Monika ŠEVEČKOVÁ. Poetics of the psychological game: The role of the epigraph in the short stories by E. A. Poe. \textit{Astra Salvensis - review of history and culture}. 2017, roč.~1/2017, č.~4, s.~95-101. ISSN~2457-9807.

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