Shakespeare according to Early American Actor Dynasties

J 2017

Shakespeare according to Early American Actor Dynasties

KAČER, Tomáš

Základní údaje

Originální název

Shakespeare according to Early American Actor Dynasties

Autoři

KAČER, Tomáš (203 Česká republika, garant, domácí)

Vydání

Hradec Králové Journal of Anglophone Studies, Hradec Králové, Department of English Language and Literature, Faculty od Education, University of Hradec Králové, 2017, 2336-3347

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60204 General literature studies

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Journal web site

Kód RIV

RIV/00216224:14210/17:00103273

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

William Shakespeare; 19th century American Theatre; Acting

Štítky

rivok

Příznaky

Recenzováno

Změněno: 8. 3. 2019 10:21, Mgr. Igor Hlaváč

Anotace

V originále

This paper explores the importance of Shakespeare in colonial and antebellum American theatre through the work of theatrical family dynasties. It presents the earliest professional actors from Lewis Hallam’s theatre company as well as some of the greatest stars of 19th century American Shakespearean acting such as Charlotte Cushman, who employed her sister Susan as her acting partner, and Edwin Booth. It was especially the Booth dynasty, founded by Junius Brutus Booth, Sr., that presented successful productions of Shakespeare’s plays on American stages. Three sons of this ‘Mad Tragedian’, Junius Brutus, Jr., Edwin, and John Wilkes met on stage for the last time to perform Julius Caesar at the Winter Garden on November 25, 1864. While Edwin was the greatest star of the American theatre then, John Wilkes was a failed actor, unsuccessful businessman and political radical. The resulting rivalry between the two brothers led to competition on the stage and contributed to the tragic assassination of President Lincoln by John Wilkes Booth on 14 April 1865. The paper describes a development of American Shakespearean acting, where America was initially a mere receiver of theatre art, while in the 19th century, it became artistically emancipated and American actors could compete in quality with their British counterparts in the most challenging field for English-speaking theatre performance: Shakespearean acting.

Návaznosti

MUNI/A/1065/2016, interní kód MU

Název: Profilace výzkumných zaměření v anglofonní lingvistické a literární vědě II (Akronym: VZALL2)

Investor: Masarykova univerzita, Profilace výzkumných zaměření v anglofonní lingvistické a literární vědě II, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

KAČER, Tomáš. Shakespeare according to Early American Actor Dynasties. Hradec Králové Journal of Anglophone Studies. Hradec Králové: Department of English Language and Literature, Faculty od Education, University of Hradec Králové, 2017, roč. 4, č. 2, s. 101-110. ISSN 2336-3347.

@article{1423682,
   author = {Kačer, Tomáš},
   article_location = {Hradec Králové},
   article_number = {2},
   keywords = {William Shakespeare; 19th century American Theatre; Acting},
   language = {eng},
   issn = {2336-3347},
   journal = {Hradec Králové Journal of Anglophone Studies},
   title = {Shakespeare according to Early American Actor Dynasties},
   url = {http://pdf.uhk.cz/hkjas/pi/pdf/vol4nr2_2017.pdf#page=101},
   volume = {4},
   year = {2017}
}

TY  - JOUR
ID  - 1423682
AU  - Kačer, Tomáš
PY  - 2017
TI  - Shakespeare according to Early American Actor Dynasties
JF  - Hradec Králové Journal of Anglophone Studies
VL  - 4
IS  - 2
SP  - 101-110
EP  - 101-110
PB  - Department of English Language and Literature, Faculty od Education, University of Hradec Králové
SN  - 23363347
KW  - William Shakespeare
KW  - 19th century American Theatre
KW  - Acting
UR  - http://pdf.uhk.cz/hkjas/pi/pdf/vol4nr2_2017.pdf#page=101
L2  - http://pdf.uhk.cz/hkjas/pi/pdf/vol4nr2_2017.pdf#page=101
N2  - This paper explores the importance of Shakespeare in colonial and antebellum American theatre through the work of theatrical family dynasties. It presents the earliest professional actors from Lewis Hallam’s theatre company as well as some of the greatest stars of 19th century American Shakespearean acting such as Charlotte Cushman, who employed her sister Susan as her acting partner, and Edwin Booth. It was especially the Booth dynasty, founded by Junius Brutus Booth, Sr., that presented successful productions of Shakespeare’s plays on American stages. Three sons of this ‘Mad Tragedian’, Junius Brutus, Jr., Edwin, and John Wilkes met on stage for the last time to perform Julius Caesar at the Winter Garden on November 25, 1864. While Edwin was the greatest star of the American theatre then, John Wilkes was a failed actor, unsuccessful businessman and political radical. The resulting rivalry between the two brothers led to competition on the stage and contributed to the tragic assassination of President Lincoln by John Wilkes Booth on 14 April 1865. The paper describes a development of American Shakespearean acting, where America was initially a mere receiver of theatre art, while in the 19th century, it became artistically emancipated and American actors could compete in quality with their British counterparts in the most challenging field for English-speaking theatre performance: Shakespearean acting.
ER  -

KAČER, Tomáš. Shakespeare according to Early American Actor Dynasties. \textit{Hradec Králové Journal of Anglophone Studies}. Hradec Králové: Department of English Language and Literature, Faculty od Education, University of Hradec Králové, 2017, roč.~4, č.~2, s.~101-110. ISSN~2336-3347.

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