2018
Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study
KESNER, Ladislav, Dominika GRYGAROVÁ, Iveta FAJNEROVÁ, Jiří LUKAVSKÝ, Tereza NEKOVÁŘOVÁ et. al.Základní údaje
Originální název
Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study
Autoři
KESNER, Ladislav (203 Česká republika, garant, domácí), Dominika GRYGAROVÁ, Iveta FAJNEROVÁ, Jiří LUKAVSKÝ, Tereza NEKOVÁŘOVÁ, Jaroslav TINTĚRA, Yuliya ZAYTSEVA a Jiří HORÁČEK
Vydání
Brain and Cognition, Academic Press, 2018, 0278-2626
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
50103 Cognitive sciences
Stát vydavatele
Spojené státy
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 2.619
Kód RIV
RIV/00216224:14210/18:00101677
Organizační jednotka
Filozofická fakulta
UT WoS
000441704500011
Klíčová slova anglicky
Artistic portraits; Averted gaze; Direct gaze; Eye-tracking; Perception; fMRI
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 30. 4. 2019 09:01, Mgr. Igor Hlaváč
Anotace
V originále
In this study, we use separate eye-tracking measurements and functional magnetic resonance imaging to investigate the neuronal and behavioral response to painted portraits with direct versus averted gaze. We further explored modulatory effects of several painting characteristics (premodern vs modern period, influence of style and pictorial context). In the fMRI experiment, we show that the direct versus averted gaze elicited increased activation in lingual and inferior occipital and the fusiform face area, as well as in several areas involved in attentional and social cognitive processes, especially the theory of mind: angular gyrus/temporo-parietal junction, inferior frontal gyrus and dorsolateral prefrontal cortex. The additional eye-tracking experiment showed that participants spent more time viewing the portrait’s eyes and mouth when the portrait’s gaze was directed towards the observer. These results suggest that static and, in some cases, highly stylized depictions of human beings in artistic portraits elicit brain activation commensurate with the experience of being observed by a watchful intelligent being. They thus involve observers in implicit inferences of the painted subject’s mental states and emotions. We further confirm the substantial influence of representational medium on brain activity.
Návaznosti
GA15-08577S, projekt VaV |
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