SPACES OF INITIATION. Objects, Images, and Rituals in the Middle Ages

FOLETTI, Ivan, Dan-Vladimir IVANOVICI a Klára DOLEŽALOVÁ. SPACES OF INITIATION. Objects, Images, and Rituals in the Middle Ages. 2019.

Základní údaje

• Originální název: SPACES OF INITIATION. Objects, Images, and Rituals in the Middle Ages
• Autoři: FOLETTI, Ivan, Dan-Vladimir IVANOVICI a Klára DOLEŽALOVÁ.
• Vydání: 2019.

Další údaje

• Originální jazyk: angličtina
• Typ výsledku: Uspořádání workshopu
• Obor: 60400 6.4 Arts
• Stát vydavatele: Česká republika
• Utajení: není předmětem státního či obchodního tajemství
• Organizační jednotka: Filozofická fakulta
• Klíčová slova anglicky: Initiation; Rituals; Baptisteries; Rituals; Christianization

Anotace

Since Late Antiquity, ‘initiation’ has played an important role in the creation of artistic and cultural environments. In Christian context, baptisteries, as well as pre- and post-baptismal zones were lavishly decorated in order to emphasise the role of ‘life changing’ rituals. Significant financial investment shows the importance and value given to these rituals in society. It could even be argued that the artistic and architectural emphasis of the monuments may have played a crucial role in the Christianisation of Europe. Conversion would’ve been facilitated through material culture. In addition to that, it seems clear that it is impossible to distinguish between the different senses and the media involved in these processes. Sound, smell, touch, light and other polysensorial inputs completed the visual and architectural setting. Rituals were the gathering force uniting all these elements. These aspects were finally activated by the movement of bodies of both clerical “professionals” and neophytes. During the Middle Ages, other rituals dealing with inclusion into diverse communities were conceived or transformed. With the spread of child baptism in Christian Europe, society needed other rituals dedicated to adults, such as consecration to monastic life, priesthood, or the bishopric. Once more, they stood in deep dialogue with the world of art. The interaction between visual culture, architectural space and ritual together enabled the process of ‘initiation’. This conference therefore intends to explore precisely these interactions and dialogues, with a special focus on baptism.

Návaznosti

• MUNI/A/1378/2018, interní kód MU: Název: Forma, vizuální význam a okolnosti vzniku uměleckého díla v architektuře a ve výtvarném umění (Akronym: Forma, vizuální význam)

Investor: Masarykova univerzita, Forma, vizuální význam a okolnosti vzniku uměleckého díla v architektuře a ve výtvarném umění, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

• MUNI/H/1402/2016, interní kód MU: Název: Transforming the Spaces and the Minds. Materiality, Performativity and Perception in the Late Antique (4th–6th century) Baptismal Zones (Akronym: TSP)

Investor: Masarykova univerzita, Transforming the Spaces and the Minds. Materiality, Performativity and Perception in the Late Antique (4th–6th century) Baptismal Zones, Individuální projekty hraničního výzkumu