Captivated by Gaze : Sculpture as Witness at the Lausanne
Cathedral’s Porch

J 2019

Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch

PALLADINO, Adrien

Základní údaje

Originální název

Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch

Autoři

PALLADINO, Adrien (250 Francie, garant, domácí)

Vydání

Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova, Brepols Publishers, 2019, 2336-3452

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Belgie

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/19:00109555

Organizační jednotka

Filozofická fakulta

DOI

http://dx.doi.org/10.1484/J.CONVI.4.2019025

UT WoS

000487673200005

Klíčová slova česky

interaktivita prostoru; pohled; ikonická přítomnsot; kultovní obrazy; poutnictví

Klíčová slova anglicky

interactivity of spaces; gaze; iconic presence; cultic images; pilgrimage

Štítky

rivok

Změněno: 22. 5. 2024 13:54, Alžběta Filipová, M.A., Ph.D.

Anotace

V originále

The sculptures of the Lausanne cathedral’s painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, this article explores the potential liturgical and social functions of this space in relation to its sculptural imagery. It focuses particularly on circulation and threshold as experienced by pilgrims and other believers. Further, it deals with the notion of images’ capturing viewers’ attention by analyzing the Lausanne porch sculptures’ most striking features: their position, their polychrome decoration, and their gaze. This study contributes to understanding the role of medieval images, how they could accompany daily events, and how such images became witnesses to a believer’s once-in-a-lifetime, life-changing moment.

Návaznosti

MUNI/A/1192/2019, interní kód MU

Název: Umělecká úloha, tvar a čas v dějinách architektury a výtvarného umění (Akronym: Umělecká úloha v dějinách umění)

Investor: Masarykova univerzita, Umělecká úloha, tvar a čas v dějinách architektury a výtvarného umění, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

PALLADINO, Adrien. Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2019, roč. 6, č. 1, s. 88-107. ISSN 2336-3452. Dostupné z: https://dx.doi.org/10.1484/J.CONVI.4.2019025.

@article{1527457,
   author = {Palladino, Adrien},
   article_number = {1},
   doi = {http://dx.doi.org/10.1484/J.CONVI.4.2019025},
   keywords = {interactivity of spaces; gaze; iconic presence; cultic images; pilgrimage},
   language = {eng},
   issn = {2336-3452},
   journal = {Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova},
   title = {Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch},
   url = {http://hdl.handle.net/11222.digilib/141504},
   volume = {6},
   year = {2019}
}

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ID  - 1527457
AU  - Palladino, Adrien
PY  - 2019
TI  - Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch
JF  - Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova
VL  - 6
IS  - 1
SP  - 88-107
EP  - 88-107
PB  - Brepols Publishers
SN  - 23363452
KW  - interactivity of spaces
KW  - gaze
KW  - iconic presence
KW  - cultic images
KW  - pilgrimage
UR  - http://hdl.handle.net/11222.digilib/141504
L2  - http://hdl.handle.net/11222.digilib/141504
N2  - The sculptures of the Lausanne cathedral’s painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, this article explores the potential liturgical and social functions of this space in relation to its sculptural imagery. It focuses particularly on circulation and threshold as experienced by pilgrims and other believers. Further, it deals with the notion of images’ capturing viewers’ attention by analyzing the Lausanne porch sculptures’ most striking features: their position, their polychrome decoration, and their gaze. This study contributes to understanding the role of medieval images, how they could accompany daily events, and how such images became witnesses to a believer’s once-in-a-lifetime, life-changing moment.
ER  -

PALLADINO, Adrien. Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch. \textit{Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova}. Brepols Publishers, 2019, roč.~6, č.~1, s.~88-107. ISSN~2336-3452. Dostupné z: https://dx.doi.org/10.1484/J.CONVI.4.2019025.

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