FOLETTI, Ivan a Katarína KRAVČÍKOVÁ. Closed Doors as Bearers and Constructors of Images : Santa Sabina and Notre Dame du Puy. Convivium. 2019, roč. 6, Supplementum, s. 24-45. ISSN 2336-3452.
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Základní údaje
Originální název Closed Doors as Bearers and Constructors of Images : Santa Sabina and Notre Dame du Puy
Autoři FOLETTI, Ivan (203 Česká republika, garant, domácí) a Katarína KRAVČÍKOVÁ (703 Slovensko, domácí).
Vydání Convivium, 2019, 2336-3452.
Další údaje
Originální jazyk angličtina
Typ výsledku Článek v odborném periodiku
Obor 60401 Arts, Art history
Stát vydavatele Belgie
Utajení není předmětem státního či obchodního tajemství
WWW URL
Kód RIV RIV/00216224:14210/19:00111816
Organizační jednotka Filozofická fakulta
UT WoS 000508612500001
Klíčová slova anglicky entrance space; closed doors; liminal zone; Basilica of Santa Sabina; Notre Dame du Puy
Štítky rivok
Změnil Změnila: Mgr. Zuzana Matulíková, učo 405304. Změněno: 13. 5. 2020 21:38.
Anotace
The current, vigorous debate about the significance and liminal attributes of doors, thresholds, or other entrance spaces prompts consideration of how closed doors construct images. This paper offers a new interpretation of two examples of wooden doors decorated with figurative scenes, preserved from the fifth and twelfth centuries: the main doors of Rome’s Basilica of Santa Sabina and the pair of porch doors at Notre Dame du Puy. Using their context consisting of local liturgical praxis, physical limits and placement, or specific functions rooted in the intermediary character of narthexes and porticos in general, the paper analyzes not only the two physical objects per se and their imagery, but also, and more significant, their two possible statuses. It seems that these elaborately decorated story-telling doors, conceived for the eyes of specific viewers, might somehow have served as their own functional properties were suppressed for the sake of their symbolic value. While being shut, these examples offer formal and iconological parallels explainable by the archetypal understanding of a door as the materialization of the potential of a passage.
Návaznosti
MUNI/H/1402/2016, interní kód MUNázev: Transforming the Spaces and the Minds. Materiality, Performativity and Perception in the Late Antique (4th–6th century) Baptismal Zones (Akronym: TSP)
Investor: Masarykova univerzita, Transforming the Spaces and the Minds. Materiality, Performativity and Perception in the Late Antique (4th–6th century) Baptismal Zones, Individuální projekty hraničního výzkumu
VytisknoutZobrazeno: 20. 7. 2024 19:12