FOLETTI, Ivan. Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation. In Foletti, Ivan; Palladino, Adrien. Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes. Řím: Viella, 2019, s. 63-92. Parva Convivia; 6. ISBN 978-88-331-3310-2.
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Základní údaje
Originální název Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation
Autoři FOLETTI, Ivan (203 Česká republika, garant, domácí).
Vydání Řím, Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes, od s. 63-92, 30 s. Parva Convivia; 6, 2019.
Nakladatel Viella
Další údaje
Originální jazyk angličtina
Typ výsledku Kapitola resp. kapitoly v odborné knize
Obor 60401 Arts, Art history
Stát vydavatele Itálie
Utajení není předmětem státního či obchodního tajemství
Forma vydání tištěná verze "print"
Kód RIV RIV/00216224:14210/19:00107967
Organizační jednotka Filozofická fakulta
ISBN 978-88-331-3310-2
Klíčová slova anglicky Seminarium Kondakovianum; Nazi occupation; Kondakov; Czechoslovakia; Adreyev; Schwartzenberg
Štítky rivok
Změnil Změnila: Mgr. Marie Skřivanová, učo 262124. Změněno: 18. 4. 2020 18:57.
Anotace
This paper was originally intended to provide a brief reflection on the role that a phenomenon such as Russian emigration in general, and that of the Institutum Kondakovianum in particular had in Czechoslovakia in the interwar years. However, recent discoveries made in the Columbia University archives in New York impel me to partly reconsider this objective. The first part of this essay will still be dedicated to Russian emigration and the Kondakov Institute between the two world wars. The second part will be however devoted to a time that has been little investigated in critical studies: the life of the Institutum during the Nazi regime. My aim is not to merely relate facts and events. As far as possible, I would like to offer a broader reflection on the dialectic relation between art history (here framed in the life of an institute) and a totalitarian regime, even when the latter does not makes direct use of violence.
Návaznosti
GA18-20666S, projekt VaVNázev: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum) (Akronym: HNK)
Investor: Grantová agentura ČR, The Heritage of Nikodim P. Kondakov in the Experiences of André Grabar and the Seminarium Kondakovianum
VytisknoutZobrazeno: 8. 5. 2024 04:11