Russian Inputs in Czechoslovakia : When Art History meets
History : The Institutum Kondakovianum during the Nazi
Occupation

C 2019

Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation

FOLETTI, Ivan

Základní údaje

Originální název

Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation

Autoři

FOLETTI, Ivan (203 Česká republika, garant, domácí)

Vydání

Řím, Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes, od s. 63-92, 30 s. Parva Convivia; 6, 2019

Nakladatel

Viella

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Itálie

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Kód RIV

RIV/00216224:14210/19:00107967

Organizační jednotka

Filozofická fakulta

ISBN

978-88-331-3310-2

Klíčová slova anglicky

Seminarium Kondakovianum; Nazi occupation; Kondakov; Czechoslovakia; Adreyev; Schwartzenberg

Štítky

rivok

Změněno: 18. 4. 2020 18:57, Mgr. Marie Skřivanová

Anotace

V originále

This paper was originally intended to provide a brief reflection on the role that a phenomenon such as Russian emigration in general, and that of the Institutum Kondakovianum in particular had in Czechoslovakia in the interwar years. However, recent discoveries made in the Columbia University archives in New York impel me to partly reconsider this objective. The first part of this essay will still be dedicated to Russian emigration and the Kondakov Institute between the two world wars. The second part will be however devoted to a time that has been little investigated in critical studies: the life of the Institutum during the Nazi regime. My aim is not to merely relate facts and events. As far as possible, I would like to offer a broader reflection on the dialectic relation between art history (here framed in the life of an institute) and a totalitarian regime, even when the latter does not makes direct use of violence.

Návaznosti

GA18-20666S, projekt VaV

Název: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum) (Akronym: HNK)

Investor: Grantová agentura ČR, The Heritage of Nikodim P. Kondakov in the Experiences of André Grabar and the Seminarium Kondakovianum

Citovat

FOLETTI, Ivan. Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation. In Foletti, Ivan; Palladino, Adrien. Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes. Řím: Viella, 2019, s. 63-92. Parva Convivia; 6. ISBN 978-88-331-3310-2.

@inbook{1600683,
   author = {Foletti, Ivan},
   address = {Řím},
   booktitle = {Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes},
   editor = {Foletti, Ivan; Palladino, Adrien},
   keywords = {Seminarium Kondakovianum; Nazi occupation; Kondakov; Czechoslovakia; Adreyev; Schwartzenberg},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Řím},
   isbn = {978-88-331-3310-2},
   pages = {63-92},
   publisher = {Viella},
   title = {Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation},
   year = {2019}
}

TY  - CHAP
ID  - 1600683
AU  - Foletti, Ivan
PY  - 2019
TI  - Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation
VL  - Parva Convivia; 6
PB  - Viella
CY  - Řím
SN  - 9788833133102
KW  - Seminarium Kondakovianum
KW  - Nazi occupation
KW  - Kondakov
KW  - Czechoslovakia
KW  - Adreyev
KW  - Schwartzenberg
N2  - This paper was originally intended to provide a brief reflection on the role that a phenomenon such as Russian emigration in general, and that of the Institutum Kondakovianum in particular had in Czechoslovakia in the interwar years. However, recent discoveries made in the Columbia University archives in New York impel me to partly reconsider this objective. The first part of this essay will still be dedicated to Russian emigration and the Kondakov Institute between the two world wars. The second part will be however devoted to a time that has been little investigated in critical studies: the life of the Institutum during the Nazi regime. My aim is not to merely relate facts and events. As far as possible, I would like to offer a broader reflection on the dialectic relation between art history (here framed in the life of an institute) and a totalitarian regime, even when the latter does not makes direct use of violence.
ER  -

FOLETTI, Ivan. Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation. In Foletti, Ivan; Palladino, Adrien. \textit{Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes}. Řím: Viella, 2019, s.~63-92. Parva Convivia; 6. ISBN~978-88-331-3310-2.

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