ŠKROBÁNKOVÁ, Klára. Coriolanus Meets Polonius : The Political in Shakespearean Operas in Communist Czechoslovakia. In ESRA Conference : Shakespeare and European Geographies: Centralities and Elsewheres, Rome 2019. 2019.
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Základní údaje
Originální název Coriolanus Meets Polonius : The Political in Shakespearean Operas in Communist Czechoslovakia
Název česky Coriolanus potkává Polonia : Politično v shakespearovských operách v komunistickém Československu
Autoři ŠKROBÁNKOVÁ, Klára (203 Česká republika, garant, domácí).
Vydání ESRA Conference : Shakespeare and European Geographies: Centralities and Elsewheres, Rome 2019, 2019.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Obor 60403 Performing arts studies
Stát vydavatele Itálie
Utajení není předmětem státního či obchodního tajemství
Kód RIV RIV/00216224:14210/19:00107989
Organizační jednotka Filozofická fakulta
Klíčová slova česky opera; Shakespeare; Československo; Cikker; Horký; adaptace
Klíčová slova anglicky opera; Shakespeare; Czechoslovakia; Cikker; Horký; adaptation
Štítky rivok
Příznaky Mezinárodní význam
Změnil Změnil: Mgr. Igor Hlaváč, učo 342491. Změněno: 20. 4. 2020 09:26.
Anotace
This paper focuses on the political elements in two Czechoslovakian operas with librettos based on plays by William Shakespeare and their subsequent stagings. Poison from Elsinore by Karel Horký and Coriolanus by Ján Cikker were both written and staged in the 1960s and early 70s, reacting to the political situation in communist Czechoslovakia and its turbulent history culminating with the Soviet occupation of the country in August 1968. Poison from Elsinore presents a prequel to Shakespeare’s Hamlet and confronts the character of Polonius (as well as the audience) with the question of one’s own conscience face to face with “the greater good”. In Cikker’s Coriolanus, the original Shakespearean topic of the fickle political power and opportunities of an individual are greatly emphasized, inconspicuously painting a picture of Czechoslovak most recent history. The paper looks at the staging history of both pieces with an emphasis on the possible political references, their reception by the media and the government, and, most importantly, on the way the classical text of William Shakespeare once again becomes actual in the hands of 20th-century librettists. To argue the unique position of these two operatic works, a comparative analysis of opera repertoire will be offered, as well as the examination of Shakespeare scholarship and popularity in the 40 years of communism in Czechoslovakia.
Návaznosti
GA19-07494S, projekt VaVNázev: Anglická divadelní kultura 1660-1737
Investor: Grantová agentura ČR, Anglická divadelní kultura 1660-1737
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