“Plots have I laid, inductions dangerous, / By drunken
prophecies, libels and dreams” : Political Dreams in
Shakespeare’s History Plays

k 2019

“Plots have I laid, inductions dangerous, / By drunken prophecies, libels and dreams” : Political Dreams in Shakespeare’s History Plays

KRAJNÍK, Filip

Základní údaje

Originální název

“Plots have I laid, inductions dangerous, / By drunken prophecies, libels and dreams” : Political Dreams in Shakespeare’s History Plays

Autoři

KRAJNÍK, Filip (203 Česká republika, garant, domácí)

Vydání

Myth and Dream / The Dreaming of Myth, University of Bologna, 23-24 May 2019, 2019

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60206 Specific literatures

Stát vydavatele

Itálie

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14210/19:00112409

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

William Shakespeare; raně novověké anglické divadlo; historické hry; sen; mýtus

Klíčová slova anglicky

William Shakespeare; early-modern English theatre; history plays; dream; myth

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 1. 4. 2020 11:39, Mgr. Marie Skřivanová

Anotace

V originále

Although in the course of the 17th century, dreams as source of special knowledge were gradually losing their prestige in England, in the Tudor and Stuart periods, dreaming and its content still retained high cultural status and were subject of heated intellectual, theological, and even legal debates. One can mention William Laud, Archbishop of Canterbury, whose dreams accounts were used as evidence against him during his trial in the 1640s that ultimately lead to his execution. As Helen Hackett has recently shown, political dreams about the monarch were commonplace during the reign of Queen Elizabeth, who, as a woman on the throne, was an especially powerful object of (both real and fictitious) dreams of her subjects, who hoped for the Queen’s favour. Among the authors who employed dreams and a literary device in their works, Shakespeare was perhaps the most prolific one in this respect, making use of dreams and visions throughout his entire dramatic career. This presentation will focus on the dreams in Shakespeare’s history plays, whose political content provided an ideal opportunity for the dramatist to make use of supernatural dreams and an effective dramaturgical device. An attention will be paid to the variety of functions of the specific dream episodes, from foreshadowing the development of the plot to the delineation of individual characters or even shaping the moral image of the king himself. Among the discussed works will the Henry VI trilogy, Richard III, the Henry IV duology, and Henry VIII. The aim of the paper will be not only to show the dramaturgical ingenuity of Shakespeare, but also to what extent the political, intellectual and cultural contexts of the time were reflected in the dramatic dreams of the period.

Návaznosti

MUNI/A/1396/2018, interní kód MU

Název: Researching Communication in English: Paradigms, Strategies, Developments (Akronym: RCE)

Investor: Masarykova univerzita, Researching Communication in English: Paradigms, Strategies, Developments, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

KRAJNÍK, Filip. “Plots have I laid, inductions dangerous, / By drunken prophecies, libels and dreams” : Political Dreams in Shakespeare’s History Plays. In Myth and Dream / The Dreaming of Myth, University of Bologna, 23-24 May 2019. 2019.

@proceedings{1604539,
   author = {Krajník, Filip},
   booktitle = {Myth and Dream / The Dreaming of Myth, University of Bologna, 23-24 May 2019},
   keywords = {William Shakespeare; early-modern English theatre; history plays; dream; myth},
   language = {eng},
   title = {“Plots have I laid, inductions dangerous, / By drunken prophecies, libels and dreams” : Political Dreams in Shakespeare’s History Plays},
   year = {2019}
}

TY  - CONF
ID  - 1604539
AU  - Krajník, Filip
PY  - 2019
TI  - “Plots have I laid, inductions dangerous, / By drunken prophecies, libels and dreams” : Political Dreams in Shakespeare’s History Plays
KW  - William Shakespeare
KW  - early-modern English theatre
KW  - history plays
KW  - dream
KW  - myth
N2  - Although in the course of the 17th century, dreams as source of special knowledge were gradually losing their prestige in England, in the Tudor and Stuart periods, dreaming and its content still retained high cultural status and were subject of heated intellectual, theological, and even legal debates. One can mention William Laud, Archbishop of Canterbury, whose dreams accounts were used as evidence against him during his trial in the 1640s that ultimately lead to his execution. As Helen Hackett has recently shown, political dreams about the monarch were commonplace during the reign of Queen Elizabeth, who, as a woman on the throne, was an especially powerful object of (both real and fictitious) dreams of her subjects, who hoped for the Queen’s favour. Among the authors who employed dreams and a literary device in their works, Shakespeare was perhaps the most prolific one in this respect, making use of dreams and visions throughout his entire dramatic career. This presentation will focus on the dreams in Shakespeare’s history plays, whose political content provided an ideal opportunity for the dramatist to make use of supernatural dreams and an effective dramaturgical device. An attention will be paid to the variety of functions of the specific dream episodes, from foreshadowing the development of the plot to the delineation of individual characters or even shaping the moral image of the king himself. Among the discussed works will the Henry VI trilogy, Richard III, the Henry IV duology, and Henry VIII. The aim of the paper will be not only to show the dramaturgical ingenuity of Shakespeare, but also to what extent the political, intellectual and cultural contexts of the time were reflected in the dramatic dreams of the period.
ER  -

KRAJNÍK, Filip. “Plots have I laid, inductions dangerous, / By drunken prophecies, libels and dreams” : Political Dreams in Shakespeare’s History Plays. In \textit{Myth and Dream / The Dreaming of Myth, University of Bologna, 23-24 May 2019}. 2019.

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