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@inbook{1660921, author = {Spurný, Lubomír and Reittererová, Vlasta}, address = {Ljubljana}, booktitle = {Microtonal Music in Central and Eastern Europe : Historical Outlines and Current Practices}, edition = {1.}, editor = {Stefanija, Leon; Stanevičiūtė, Rūta}, keywords = {Microtonal music; Alois Hába; Czech modern music}, howpublished = {elektronická verze "online"}, language = {eng}, location = {Ljubljana}, isbn = {978-961-06-0311-5}, pages = {245-259}, publisher = {Ljubljana University Press, Faculty of Arts}, title = {Alois Hába : A Poet of Liberated Music}, url = {https://doi.org/10.4312/9789610603122}, year = {2020} }
TY - CHAP ID - 1660921 AU - Spurný, Lubomír - Reittererová, Vlasta PY - 2020 TI - Alois Hába : A Poet of Liberated Music VL - Glasba na Slovenskem po 1918 PB - Ljubljana University Press, Faculty of Arts CY - Ljubljana SN - 9789610603115 KW - Microtonal music KW - Alois Hába KW - Czech modern music UR - https://doi.org/10.4312/9789610603122 L2 - https://doi.org/10.4312/9789610603122 N2 - The article is a critical interpretation of selected musical ideas of the Czech composer Alois Hába. Alois Hába (21 June 1893, Vizovice–18 November 1973, Prague) entered Czech musical culture at a time when the “lived inheritance of folklore” had come to be recognized as something of genuine potential value for high culture. Some passages in Hába’s music have an undeniable similarity with Eastern Moravian melodic types, but Hába does not falsify folklore or demean himself by trying for the required “folky” effect, that is, the admixture of the “folk” remains something more essential than contrived. Although regional roots play an important role in Hába’s music, the composer never imitates or parodies folk music. As one of the most radical representatives of the Central European aesthetic avant-garde between the wars, Hába expressed his individual style by drawing on the well-springs in the sense of his own lived experience of folklore but then reformulating this inspiration at the most universal levels – microtonality, athematism, and modality. ER -
SPURNÝ, Lubomír a Vlasta REITTEREROVÁ. Alois Hába : A Poet of Liberated Music. Online. In Stefanija, Leon; Stanevičiūtė, Rūta. \textit{Microtonal Music in Central and Eastern Europe : Historical Outlines and Current Practices}. 1. vyd. Ljubljana: Ljubljana University Press, Faculty of Arts, 2020, s.~245-259. Glasba na Slovenskem po 1918. ISBN~978-961-06-0311-5.
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