In the “Public Interest”? Dispossessing Art Collections in
Communist Czechoslovakia Between 1948 and 1965

J 2020

In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965

RUSINKO, Marcela

Základní údaje

Originální název

In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965

Autoři

RUSINKO, Marcela (203 Česká republika, garant, domácí)

Vydání

Acta historiae artis Slovenica, Ljubljana, Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU, 2020, 1408-0419

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Slovinsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

ACTA HISTORIAE ARTIS SLOVENICA 25/1

Kód RIV

RIV/00216224:14210/20:00114252

Organizační jednotka

Filozofická fakulta

DOI

http://dx.doi.org/10.3986/AHAS.25.1.10

Klíčová slova anglicky

Dispossessions; Communist Czechoslovakia; Art Collecting; Modern Art; National Gallery in Prague; Vincenc Kramář; Václav Butta; Rudolf Barák; František Čeřovský; Emil Filla

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 9. 4. 2021 11:14, Mgr. Zuzana Matulíková

Anotace

V originále

In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia experienced a great deal of ideologically motivated oppression. The targeted, systemic actions against representatives of the bourgeoisie, former social elites, who had hitherto been the vehicles of this art collecting phenomenon, were taken. The persecution peaked in 1959 and 1960 by exemplary trials with eminent pre-war art collectors. This provoked the extensive wave of violent dispossessions of private artistic assets, the significant mobility of prominent and large art collections from private to public sphere in the late 1950s and early 1960s. The article concerns several pattern cases of trials, resulting in the confiscation of property, the enrichment of the leading public collections and exemplary punishment and also cases of other "soft" ways of dispossessing individuals through the s. c. legally forced “gift” / “donation” of art equivalent in value to an inheritance or property tax that had been levied.

Návaznosti

GA20-09541S, projekt VaV

Název: Dějiny umění na Moravě: Morava v dějinách umění (Akronym: Dějiny umění na Moravě)

Investor: Grantová agentura ČR, Dějiny umění na Moravě: Morava v dějinách umění

Přiložené soubory

8823-Besedilo_prispevka-24011-1-10-20200702.pdf

Vyhledat podobné dokumenty

Citovat

RUSINKO, Marcela. In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965. Acta historiae artis Slovenica. Ljubljana: Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU, 2020, roč. 25, č. 1, s. 233-252. ISSN 1408-0419. Dostupné z: https://dx.doi.org/10.3986/AHAS.25.1.10.

@article{1672301,
   author = {Rusinko, Marcela},
   article_location = {Ljubljana},
   article_number = {1},
   doi = {http://dx.doi.org/10.3986/AHAS.25.1.10},
   keywords = {Dispossessions; Communist Czechoslovakia; Art Collecting; Modern Art; National Gallery in Prague; Vincenc Kramář; Václav Butta; Rudolf Barák; František Čeřovský; Emil Filla},
   language = {eng},
   issn = {1408-0419},
   journal = {Acta historiae artis Slovenica},
   title = {In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965},
   url = {http://uifs1.zrc-sazu.si/index.php?q=en/node/452},
   volume = {25},
   year = {2020}
}

TY  - JOUR
ID  - 1672301
AU  - Rusinko, Marcela
PY  - 2020
TI  - In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965
JF  - Acta historiae artis Slovenica
VL  - 25
IS  - 1
SP  - 233-252
EP  - 233-252
PB  - Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU
SN  - 14080419
KW  - Dispossessions
KW  - Communist Czechoslovakia
KW  - Art Collecting
KW  - Modern Art
KW  - National Gallery in Prague
KW  - Vincenc Kramář
KW  - Václav Butta
KW  - Rudolf Barák
KW  - František Čeřovský
KW  - Emil Filla
UR  - http://uifs1.zrc-sazu.si/index.php?q=en/node/452
L2  - http://uifs1.zrc-sazu.si/index.php?q=en/node/452
N2  - In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia experienced a great deal of ideologically motivated oppression. The targeted, systemic actions against representatives of the bourgeoisie, former social elites, who had hitherto been the vehicles of this art collecting phenomenon, were taken. The persecution peaked in 1959 and 1960 by exemplary trials with eminent pre-war art collectors. This provoked the extensive wave of violent dispossessions of private artistic assets, the significant mobility of prominent and large art collections from private to public sphere in the late 1950s and early 1960s. The article concerns several pattern cases of trials, resulting in the confiscation of property, the enrichment of the leading public collections and exemplary punishment and also cases of other "soft" ways of dispossessing individuals through the s. c. legally forced “gift” / “donation” of art equivalent in value to an inheritance or property tax that had been levied.
ER  -

RUSINKO, Marcela. In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965. \textit{Acta historiae artis Slovenica}. Ljubljana: Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU, 2020, roč.~25, č.~1, s.~233-252. ISSN~1408-0419. Dostupné z: https://dx.doi.org/10.3986/AHAS.25.1.10.

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