Intimate Language of Zen Master Dōgen: Revisions,
Reinterpretations, and Reinventions in Dōgen’s Language

a 2020

Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language

KUBOVČÁKOVÁ, Zuzana

Základní údaje

Originální název

Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language

Název česky

Jazyk zenového mistra Dógena: Revize a reinterpretace Dógenovho jazyka

Autoři

KUBOVČÁKOVÁ, Zuzana

Vydání

14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia, 2020

Další údaje

Jazyk

angličtina

Typ výsledku

Konferenční abstrakt

Obor

60202 Specific languages

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Book of Abstracts for the 14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

zen buddhismus; Dógen; koan; Udži; Šóbó genzó

Klíčová slova anglicky

Zen Buddhism; Dogen; koan; Uji; Shobogenzo

Příznaky

Mezinárodní význam

Změněno: 21. 11. 2020 11:54, Mgr. Zuzana Kubovčáková, M.A., Ph.D.

Anotace

V originále

The figure of Zen master Dōgen 道元 (1200—1253), founder of the Japanese Sōtō school of Buddhism, has in the last decades been in the center of interest of both Japanese and Western scholars given especially his innovative and original, yet also intriguing and often paradoxical teaching. While on the one hand, Dōgen was a traditional, almost a conservative Buddhist teacher and Zen master in that he attached value to the practice of seated meditation (shikan taza 只管打坐) that he is particularly famous for, he was also surprisingly unrestrained and unconventional in his use of language. The topic of Dōgen’s use of language is seldom ignored by scholars, yet only rarely explored in greater detail compared to the message of his writings. In this paper, my intention is to illustrate Dōgen’s rhetorical innovations and verbal creativity, which enabled him to formulate an original teaching that distinguishes him from his contemporaries and the other personages in Japanese Buddhism. I will propose a set of aspects regarding Dōgen’s original use of language, ranging from tendencies that would today be labelled as morphological, semantic and/or rhetorical. Based on examples from Dōgen’s masterpiece Treasury of the True Dharma Eye (Shōbōgenzō 正法眼蔵), I will also illustrate how he innovatively employed Chinese words and expressions in a Japanese language context and how he created new meanings by the various approaches he employed.

Návaznosti

MUNI/21/KUB/2017, interní kód MU

Název: Překlad vybraných částí Dógenova spisu Šóbógenzó (Akronym: Šóbógenzó)

Investor: Masarykova univerzita, Překlad vybraných částí Dógenova spisu Šóbógenzó

Citovat

KUBOVČÁKOVÁ, Zuzana. Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language. In 14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia. 2020.

@proceedings{1697058,
   author = {Kubovčáková, Zuzana},
   booktitle = {14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia},
   keywords = {Zen Buddhism; Dogen; koan; Uji; Shobogenzo},
   language = {eng},
   title = {Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language},
   url = {https://kas.upol.cz/fileadmin/users/124/ACAS2020_Book_of_Abstracts.pdf},
   year = {2020}
}

TY  - CONF
ID  - 1697058
AU  - Kubovčáková, Zuzana
PY  - 2020
TI  - Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language
KW  - Zen Buddhism
KW  - Dogen
KW  - koan
KW  - Uji
KW  - Shobogenzo
UR  - https://kas.upol.cz/fileadmin/users/124/ACAS2020_Book_of_Abstracts.pdf
N2  - The figure of Zen master Dōgen 道元 (1200—1253), founder of the Japanese Sōtō school of Buddhism, has in the last decades been in the center of interest of both Japanese and Western scholars given especially his innovative and original, yet also intriguing and often paradoxical teaching. While on the one hand, Dōgen was a traditional, almost a conservative Buddhist teacher and Zen master in that he attached value to the practice of seated meditation (shikan taza 只管打坐) that he is particularly famous for, he was also surprisingly unrestrained and unconventional in his use of language. The topic of Dōgen’s use of language is seldom ignored by scholars, yet only rarely explored in greater detail compared to the message of his writings. In this paper, my intention is to illustrate Dōgen’s rhetorical innovations and verbal creativity, which enabled him to formulate an original teaching that distinguishes him from his contemporaries and the other personages in Japanese Buddhism. I will propose a set of aspects regarding Dōgen’s original use of language, ranging from tendencies that would today be labelled as morphological, semantic and/or rhetorical. Based on examples from Dōgen’s masterpiece Treasury of the True Dharma Eye (Shōbōgenzō 正法眼蔵), I will also illustrate how he innovatively employed Chinese words and expressions in a Japanese language context and how he created new meanings by the various approaches he employed.
ER  -

KUBOVČÁKOVÁ, Zuzana. Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language. In \textit{14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia}. 2020.

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