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@article{1723119,
author = {Musilová, Martina},
article_location = {Brno},
article_number = {1},
doi = {http://dx.doi.org/10.5817/TY2020-1-7},
keywords = {Zich; acting; modernism; embodiment},
language = {eng},
issn = {1803-845X},
journal = {Theatralia},
title = {Otakar Zich on Dramatic Acting},
url = {http://hdl.handle.net/11222.digilib/142551},
volume = {23},
year = {2020}
}
TY - JOUR
ID - 1723119
AU - Musilová, Martina
PY - 2020
TI - Otakar Zich on Dramatic Acting
JF - Theatralia
VL - 23
IS - 1
SP - 81-88
EP - 81-88
PB - Masarykova univerzita
SN - 1803845X
KW - Zich
KW - acting
KW - modernism
KW - embodiment
UR - http://hdl.handle.net/11222.digilib/142551
L2 - http://hdl.handle.net/11222.digilib/142551
N2 - This study deals with Otakar Zich’s conception of dramatic acting as defined in his 1931 The Aesthetics of Dramatic Art and the historical context in which the concept was formed, e.g. within the first generation of Czech Modernism in the 1890s of which Zich was a member. Zich’s aesthetics were influenced by (1) experimental psychology, particularly the associationism Zich adopted from his professor František Krejčí; (2) a theory of the work of art developed by first-generation Modernists under the influence of Richard Wagner; and (3) Nietzschean individualism. Coming from this background, Zich could not fully anticipate the tumultuous developments in theatre during the interwar period, especially the latest practical and theoretical innovations in the field of anti-illusionistic avant-garde acting.
ER -
MUSILOVÁ, Martina. Otakar Zich on Dramatic Acting. \textit{Theatralia}. Brno: Masarykova univerzita, 2020, roč.~23, č.~1, s.~81-88. ISSN~1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2020-1-7.
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