2022
Generations of BDSM Czech style : The elimination of roles in role-playing?
DRDOVÁ, Lucie a Steven SAXONBERGZákladní údaje
Originální název
Generations of BDSM Czech style : The elimination of roles in role-playing?
Autoři
Vydání
Sexualities, Thousand Oaks, SAGE Publications, 2022, 1363-4607
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
50401 Sociology
Stát vydavatele
Spojené státy
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 1.500
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14230/22:00124914
Organizační jednotka
Fakulta sociálních studií
UT WoS
EID Scopus
Klíčová slova anglicky
BDSM; generation; ethnography; sadism; masochism
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 14. 2. 2023 14:46, Mgr. Blanka Farkašová
Anotace
V originále
Recently, there has been a “research boom” on the topic of BDSM (bondage, discipline, sadism and masochism). Studies have covered a wide range of countries including the UK, USA, Brazil and Western Germany. Nevertheless, ethnographical research of the BDSM subculture in a postcommunist state has been extremely rare. In fact, there have not been many studies on postcommunist subcultures in general. This study explores how the BDSM subculture has been evolving in the Czech Republic after the fall of the communism. The focus is on the intergenerational conflict that has arisen between the first and second generations of the Czech BDSM scene. The history of Czech BDSM subculture has never been studied. Except for a few tables showing data and events, BDSM practitioners themselves in the Czech Republic have no written documents about how they created the subculture, how it was established and what pitfalls they needed to overcome. In contrast to studies of the BDSM scene in such countries as the UK which had long-standing democracies, the Czech scene could only emerge after the overthrow of the communist-ruled dictatorship in 1989. Consequently, the scene is newer and it developed in a situation in which the first generation was culturally much more tied to the communist-past than the second generation. We show how the scene might have developed differently when taking place in the post-communist context.
Návaznosti
| MUNI/A/1359/2019, interní kód MU |
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