2021
(In)visible religion in music : Pagan motives in music of Moravian Pagan musician Tomáš Kočko
PUCHOVSKÝ, MichalZákladní údaje
Originální název
(In)visible religion in music : Pagan motives in music of Moravian Pagan musician Tomáš Kočko
Autoři
PUCHOVSKÝ, Michal
Vydání
14th ISORECEA Religion in periphery conference Palacký University Olomouc, Czech Republic, 15 – 17 April 2021, 2021
Další údaje
Jazyk
angličtina
Typ výsledku
Prezentace na konferencích
Obor
60304 Religious studies
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
Tomáš Kočko; Paganism; music
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 21. 6. 2022 10:37, Mgr. Michal Puchovský, Ph.D.
Anotace
V originále
The conference paper will present an analysis of Pagan motives in music of Moravian folk/folklore musician Tomáš Kočko. His music is heavily inspired by Moravian traditional music (particularly of the etnoregion Lašsko, near Slovakian and Polish boarders), but he also draws inspiration from Slavic modern Paganism. Kočko declares himself as modern Pagan and he is also very proud of his regional (Moravian) identity. Pagan motives in Kočko´s music will be explained with help of Christopher Partridge´s theory about contemporary cultural milieu called “occulture” which can be described as broad reservoir of alternative spiritual concepts, used by artist as resource of inspiration. The paper will therefore discuss a) the question of usefulness of the concept in case of Tomáš Kočko´s music and b) where are the boarders between national/local and Pagan motives in Kočko´s music. It should be noted that the paper is early version of one chapter of author´s dissertation thesis.
Návaznosti
MUNI/A/1357/2020, interní kód MU |
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