VAN OORT, Thunnis, Åsa JERNUDD, Kathleen LOTZE, Clara PAFORT-OVERDUIN, Daniël BILTEREYST, Jaap BOTER, Silvia DIBELTULO, Pier ERCOLE, Philippe MEERS, Terézia PORUBČANSKÁ, Daniela TREVERI GENNARI and Liesbeth VAN DE VIJVER. Mapping Film Programming across Post-War Europe (1952). Research Data Journal for the Humanities and Social Sciences. Brill, 2020, vol. 5, No 2, p. 109-125. ISSN 2452-3666. Available from: https://dx.doi.org/10.1163/24523666-00502009.
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Basic information
Original name Mapping Film Programming across Post-War Europe (1952)
Authors VAN OORT, Thunnis (528 Netherlands), Åsa JERNUDD (752 Sweden), Kathleen LOTZE (276 Germany), Clara PAFORT-OVERDUIN (528 Netherlands), Daniël BILTEREYST (56 Belgium), Jaap BOTER (528 Netherlands), Silvia DIBELTULO (380 Italy), Pier ERCOLE (380 Italy), Philippe MEERS (56 Belgium), Terézia PORUBČANSKÁ (703 Slovakia, guarantor, belonging to the institution), Daniela TREVERI GENNARI (380 Italy) and Liesbeth VAN DE VIJVER (56 Belgium).
Edition Research Data Journal for the Humanities and Social Sciences, Brill, 2020, 2452-3666.
Other information
Original language English
Type of outcome Article in a journal
Field of Study 60405 Studies on Film, Radio and Television
Country of publisher Netherlands
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/20:00121606
Organization unit Faculty of Arts
Doi http://dx.doi.org/10.1163/24523666-00502009
Keywords in English film programming; cinema; mid-sized city; Europe; comparative history
Tags rivok, topvydavatel
Tags International impact, Reviewed
Changed by Changed by: Mgr. et Mgr. Stanislav Hasil, učo 415267. Changed: 19/5/2022 14:43.
Abstract
This data paper and the data collection from which it emerges aim to present a fully harmonized data set originating in several research projects on post-war cinema programming. The paper will reflect on the collection and structure of this aggregated data set, that consists of titles of feature films screened for public viewing in cinemas in the cities Bari (Italy), Antwerp and Ghent (Belgium), Gothenburg (Sweden), Leicester (United Kingdom) and Rotterdam (Netherlands) for the year 1952. As comparisons of movie-going patterns between European countries are still rare, this paper offers a model for constructing a data set which can be replicated, scaled up and used to compare, contextualize, and eventually theorize practices of cinema-going across countries at a global level.
Links
MUNI/A/1333/2020, interní kód MUName: Česká kinematografie jako kinematografie malého národa (Acronym: Kinematografie malého národa)
Investor: Masaryk University
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