2021
Disregarded or Adored? Remarks on Art Market Responses to Women Artists Behind the Iron Curtain
RUSINKO, MarcelaZákladní údaje
Originální název
Disregarded or Adored? Remarks on Art Market Responses to Women Artists Behind the Iron Curtain
Autoři
RUSINKO, Marcela (203 Česká republika, garant, domácí)
Vydání
London, Researching Art Markets : Past, Present and Tools for the Future, od s. 112-125, 14 s. 2021
Nakladatel
Routledge
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
60401 Arts, Art history
Stát vydavatele
Velká Británie a Severní Irsko
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Kód RIV
RIV/00216224:14210/21:00118984
Organizační jednotka
Filozofická fakulta
ISBN
978-1-000-36168-1
UT WoS
001056582600010
Klíčová slova anglicky
female artists; Czechoslovakia; art market; state socialism; artistic careers; Adriena Šimotová
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 27. 6. 2024 10:58, Mgr. Michal Petr
Anotace
V originále
Looking back to the art scene behind the iron curtain, this chapter reveals the long and challenging career paths of four influential Eastern-Central European women artists. It focuses on the careers of female art figures who had an active role in the Czechoslovak art scene between the 1950s and 1980s and shared lifelong marriages with successful male artists. It focuses on the career and market development of Adriena Šimotová (1926–2014) and of other innovative neoavant-garde artists: Běla Kolářová (1923–2010), Eva Kmentová (1928–1980) and Věra Janoušková (1922–2010), as well as their husbands’ careers. Taking into account artists’ presence on then-state market and art-historical theoretical recognition, this chapter also offers a measurement of gender art (un)equality, which happened to regularly fluctuate between 1:5 and 1:3 (in exceptional cases down 1:2). Moreover, as an interesting case study of a female artist’s gradual career emancipation, it presents the market’s rising response to Šimotová’s work during her six-decade-long journey, contrary to the opposite trend experienced in her husband’s career. These cases show to what extent not only totalitarian conditions but also gender stereotypes, family patterns and patriarchal structures were substantially decisive factors, similarly to women colleagues in the West.
Návaznosti
GA20-09541S, projekt VaV |
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