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@proceedings{1788918,
author = {Stehlíková, Karolína},
booktitle = {Konference International Association of Scandinavian Studies 2021},
keywords = {Ibsen; Ostermeier ; Saavedra ; adaptation},
language = {eng},
title = {Ibsen: remembered and reimagined. From stage adaptation to text adaptation – Hedda Gabler retold by Thomas Ostermeier and rewritten by Anna Saavedra},
url = {http://www.iass2021.flf.vu.lt/?page_id=185},
year = {2021}
}
TY - CONF
ID - 1788918
AU - Stehlíková, Karolína
PY - 2021
TI - Ibsen: remembered and reimagined. From stage adaptation to text adaptation – Hedda Gabler retold by Thomas Ostermeier and rewritten by Anna Saavedra
KW - Ibsen
KW - Ostermeier
KW - Saavedra
KW - adaptation
UR - http://www.iass2021.flf.vu.lt/?page_id=185
N2 - It's easy to claim that Henrik Ibsen is our contemporary. Although his masterpieces really address timeless topics such as an unequal status of women, marital frustration or lying in the public or private spheres, their plots are often period-specific. In order to ensure Ibsen’s plays have the desired impact on today’s audiences, they are usually updated to a certain extent. Such an update can take place on the level of direction or on the textual level. In both cases, this is an intriguing way of adaptation. The aim of this paper is to reveal the means and strategies used by German director Thomas Ostermeier and Czech playwright Anna Saavedra. Both adapting Ibsen’s Hedda Gabler in their own creative way.
ER -
STEHLÍKOVÁ, Karolína. Ibsen: remembered and reimagined. From stage adaptation to text adaptation – Hedda Gabler retold by Thomas Ostermeier and rewritten by Anna Saavedra. In \textit{Konference International Association of Scandinavian Studies 2021}. 2021.
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