Cognitive Processes and Music Theory in the Socialist Czechoslovakia

MÜHLOVÁ, Klára Hedvika. Cognitive Processes and Music Theory in the Socialist Czechoslovakia. In International Conference on Music and Sounds. Organised by London Centre for Interdisciplinary Research. 2.-3.10.2021. online. 2021.

Základní údaje

• Originální název: Cognitive Processes and Music Theory in the Socialist Czechoslovakia
• Název česky: Kognitivní procesy a hudební teorie v socialistickém Československu
• Název anglicky: Cognitive Processes and Music Theory in the Socialist Czechoslovakia
• Autoři: MÜHLOVÁ, Klára Hedvika.
• Vydání: International Conference on Music and Sounds. Organised by London Centre for Interdisciplinary Research. 2.-3.10.2021. online. 2021.

Další údaje

• Originální jazyk: čeština
• Typ výsledku: Prezentace na konferencích
• Obor: 60403 Performing arts studies
• Stát vydavatele: Česká republika
• Utajení: není předmětem státního či obchodního tajemství
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• Klíčová slova česky: Kognice; hudba; hudební teorie; Československo; výzkum
• Klíčová slova anglicky: Cognition; Music; Music Theory; Czechoslovakia; research
• Příznaky: Mezinárodní význam

Anotace

Czechoslovak music theory of the 20th century, despite 40 years of isolation after 1948, developed its approaches and concepts trends that can be retrospectively assessed as very modern, and at the forefront of the musicology research efforts of the time. Established music psychology, the advent of new technologies, modern psychoacoustics, emerging music informatics (developing with the use of automatic computers), stimuli of electroacoustic music and electronic sound processing, or newly developed musical semiotics; offered domestic music theory new stimuli, responsible for development of new, in-depth view of the relationship between man and music, and its applications. Thus, both older psychologizing concepts (such as "musical hearing") and individual cognitive functions in their modern definition, such as musical perception, musical memory, attention, or musical thinking, come to the fore. These are gradually, spontaneously, dynamically and multi-layered evolving penetrations of cognitive perspectives on music-theoretical issues. The paper attempts to map the cognitive perspective in Czechoslovak music theory between 1948 and 1989, and asks which of the research trends of this epoch could be an inspiration for contemporary interdisciplinary research.

Anotace anglicky

Czechoslovak music theory of the 20th century, despite 40 years of isolation after 1948, developed its approaches and concepts trends that can be retrospectively assessed as very modern, and at the forefront of the musicology research efforts of the time. Established music psychology, the advent of new technologies, modern psychoacoustics, emerging music informatics (developing with the use of automatic computers), stimuli of electroacoustic music and electronic sound processing, or newly developed musical semiotics; offered domestic music theory new stimuli, responsible for development of new, in-depth view of the relationship between man and music, and its applications. Thus, both older psychologizing concepts (such as "musical hearing") and individual cognitive functions in their modern definition, such as musical perception, musical memory, attention, or musical thinking, come to the fore. These are gradually, spontaneously, dynamically and multi-layered evolving penetrations of cognitive perspectives on music-theoretical issues. The paper attempts to map the cognitive perspective in Czechoslovak music theory between 1948 and 1989, and asks which of the research trends of this epoch could be an inspiration for contemporary interdisciplinary research.

Návaznosti

• MUNI/A/1254/2020, interní kód MU: Název: Kognitivní procesy v koncepcích české hudební teorie 2. poloviny 20. století

Investor: Masarykova univerzita, Kognitivní procesy v koncepcích české hudební teorie 2. poloviny 20. století