Introduction. A Few Opening Historiographical Remarks

FOLETTI, Ivan, Ondřej JAKUBEC a Radka NOKKALA MILTOVÁ. Introduction. A Few Opening Historiographical Remarks. In Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová. Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas. Řím: Viella, 2021, s. 7-15. Studia Artium Medieavalium Brunensia 11. ISBN 978-88-3313-937-1.

Základní údaje

• Originální název: Introduction. A Few Opening Historiographical Remarks
• Autoři: FOLETTI, Ivan, Ondřej JAKUBEC a Radka NOKKALA MILTOVÁ.
• Vydání: Řím, Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas, od s. 7-15, 9 s. Studia Artium Medieavalium Brunensia 11, 2021.
• Nakladatel: Viella

Další údaje

• Originální jazyk: angličtina
• Typ výsledku: Kapitola resp. kapitoly v odborné knize
• Obor: 60401 Arts, Art history
• Stát vydavatele: Itálie
• Utajení: není předmětem státního či obchodního tajemství
• Forma vydání: tištěná verze "print"
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• ISBN: 978-88-3313-937-1
• Klíčová slova anglicky: Vienna School of Art History; Max Dvořák; Jiří Kroupa; Central Europe; Nationalism; From National to Transcultural

Anotace

Between 1900 and the inter-war period, we observe a radical shift in the perception of Central European art: the First World War catalyzed a new understanding of “cultural” heritage largely in national terms (i.e. “national heritage”). Paradoxically, such a tendency grew even stronger after the Second World War. The Nazi genocide, followed by the expulsion of German and other minorities from Central European countries, transformed modern society from the ground up. After the fall of the Iron Curtain in 1989, scholars sought to put forward an updated, “transcultural” perspective on the space of Mitteleuropa. Jiří Kroupa was certainly one of the leading figures in this process, since his scholarship systematically connected Moravia with France, Italy, Germany, Austria, and beyond. As an intellectual heir of Viennese scholars such as Max Dvořák, he constructed a non-nationalistic perspective on Central European art, combining local approaches with a truly global erudition.