Introduction. A Few Opening Historiographical Remarks

C 2021

Introduction. A Few Opening Historiographical Remarks

FOLETTI, Ivan, Ondřej JAKUBEC a Radka NOKKALA MILTOVÁ

Základní údaje

Originální název

Introduction. A Few Opening Historiographical Remarks

Autoři

FOLETTI, Ivan, Ondřej JAKUBEC a Radka NOKKALA MILTOVÁ

Vydání

Řím, Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas, od s. 7-15, 9 s. Studia Artium Medieavalium Brunensia 11, 2021

Nakladatel

Viella

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Itálie

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

URL

Organizační jednotka

Filozofická fakulta

ISBN

978-88-3313-937-1

Klíčová slova anglicky

Vienna School of Art History; Max Dvořák; Jiří Kroupa; Central Europe; Nationalism; From National to Transcultural

Změněno: 22. 4. 2022 11:27, prof. Mgr. Ondřej Jakubec, Ph.D.

Anotace

V originále

Between 1900 and the inter-war period, we observe a radical shift in the perception of Central European art: the First World War catalyzed a new understanding of “cultural” heritage largely in national terms (i.e. “national heritage”). Paradoxically, such a tendency grew even stronger after the Second World War. The Nazi genocide, followed by the expulsion of German and other minorities from Central European countries, transformed modern society from the ground up. After the fall of the Iron Curtain in 1989, scholars sought to put forward an updated, “transcultural” perspective on the space of Mitteleuropa. Jiří Kroupa was certainly one of the leading figures in this process, since his scholarship systematically connected Moravia with France, Italy, Germany, Austria, and beyond. As an intellectual heir of Viennese scholars such as Max Dvořák, he constructed a non-nationalistic perspective on Central European art, combining local approaches with a truly global erudition.

Citovat

FOLETTI, Ivan, Ondřej JAKUBEC a Radka NOKKALA MILTOVÁ. Introduction. A Few Opening Historiographical Remarks. In Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová. Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas. Řím: Viella, 2021, s. 7-15. Studia Artium Medieavalium Brunensia 11. ISBN 978-88-3313-937-1.

@inbook{1806461,
   author = {Foletti, Ivan and Jakubec, Ondřej and Nokkala Miltová, Radka},
   address = {Řím},
   booktitle = {Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas},
   editor = {Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová},
   keywords = {Vienna School of Art History; Max Dvořák; Jiří Kroupa; Central Europe; Nationalism; From National to Transcultural},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Řím},
   isbn = {978-88-3313-937-1},
   pages = {7-15},
   publisher = {Viella},
   title = {Introduction. A Few Opening Historiographical Remarks},
   url = {https://www.viella.it/libro/9788833138459},
   year = {2021}
}

TY  - CHAP
ID  - 1806461
AU  - Foletti, Ivan - Jakubec, Ondřej - Nokkala Miltová, Radka
PY  - 2021
TI  - Introduction. A Few Opening Historiographical Remarks
VL  - Studia Artium Medieavalium Brunensia 11
PB  - Viella
CY  - Řím
SN  - 9788833139371
KW  - Vienna School of Art History
KW  - Max Dvořák
KW  - Jiří Kroupa
KW  - Central Europe
KW  - Nationalism
KW  - From National to Transcultural
UR  - https://www.viella.it/libro/9788833138459
N2  - Between 1900 and the inter-war period, we observe a radical shift in the perception of Central European art: the First World War catalyzed a new understanding of “cultural” heritage largely in national terms (i.e. “national heritage”). Paradoxically, such a tendency grew even stronger after the Second World War. The Nazi genocide, followed by the expulsion of German and other minorities from Central European countries, transformed modern society from the ground up. After the fall of the Iron Curtain in 1989, scholars sought to put forward an updated, “transcultural” perspective on the space of Mitteleuropa. Jiří Kroupa was certainly one of the leading figures in this process, since his scholarship systematically connected Moravia with France, Italy, Germany, Austria, and beyond. As an intellectual heir of Viennese scholars such as Max Dvořák, he constructed a non-nationalistic perspective on Central European art, combining local approaches with a truly global erudition.
ER  -

FOLETTI, Ivan, Ondřej JAKUBEC a Radka NOKKALA MILTOVÁ. Introduction. A Few Opening Historiographical Remarks. In Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová. \textit{Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas}. Řím: Viella, 2021, s.~7-15. Studia Artium Medieavalium Brunensia 11. ISBN~978-88-3313-937-1.

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