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@article{1810181,
author = {Švachová, Romana},
article_location = {Brno},
article_number = {2},
keywords = {Hélène Cixous; Sara Stridsberg; feminist postdramatic theatre; appropriation; the narrator in drama; the stream of consciousness in drama},
language = {eng},
issn = {1803-7380},
journal = {Brünner Beiträge zur Germanistik und Nordistik},
title = {How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation},
url = {https://digilib.phil.muni.cz/handle/11222.digilib/106092},
volume = {35},
year = {2021}
}
TY - JOUR
ID - 1810181
AU - Švachová, Romana
PY - 2021
TI - How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation
JF - Brünner Beiträge zur Germanistik und Nordistik
VL - 35
IS - 2
SP - 125-136
EP - 125-136
PB - Masarykova univerzita
SN - 18037380
KW - Hélène Cixous
KW - Sara Stridsberg
KW - feminist postdramatic theatre
KW - appropriation
KW - the narrator in drama
KW - the stream of consciousness in drama
UR - https://digilib.phil.muni.cz/handle/11222.digilib/106092
N2 - In answer to Cara Berger, this article examines how Hélène Cixous’s play Portrait de Dora and Sara Stridsberg’s play Valerie ska bli president i Amerika approach as examples of feminist drama (and in case of Cixous, also an example of feminist postdramatic theatre) the problem of appropriation, an important question of feminist theories. The article maps the means the texts use to tackle the problem, or whether they resign on it, and discusses Cixous’s reinstalment of the narrator in drama and usage of a structure based on the narrative mode of the stream of consciousness as methods to highlight appropriation processes.
ER -
ŠVACHOVÁ, Romana. How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation. \textit{Brünner Beiträge zur Germanistik und Nordistik}. Brno: Masarykova univerzita, 2021, roč.~35, č.~2, s.~125-136. ISSN~1803-7380.
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