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@article{1810181, author = {Švachová, Romana}, article_location = {Brno}, article_number = {2}, keywords = {Hélène Cixous; Sara Stridsberg; feminist postdramatic theatre; appropriation; the narrator in drama; the stream of consciousness in drama}, language = {eng}, issn = {1803-7380}, journal = {Brünner Beiträge zur Germanistik und Nordistik}, title = {How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation}, url = {https://digilib.phil.muni.cz/handle/11222.digilib/106092}, volume = {35}, year = {2021} }
TY - JOUR ID - 1810181 AU - Švachová, Romana PY - 2021 TI - How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation JF - Brünner Beiträge zur Germanistik und Nordistik VL - 35 IS - 2 SP - 125-136 EP - 125-136 PB - Masarykova univerzita SN - 18037380 KW - Hélène Cixous KW - Sara Stridsberg KW - feminist postdramatic theatre KW - appropriation KW - the narrator in drama KW - the stream of consciousness in drama UR - https://digilib.phil.muni.cz/handle/11222.digilib/106092 N2 - In answer to Cara Berger, this article examines how Hélène Cixous’s play Portrait de Dora and Sara Stridsberg’s play Valerie ska bli president i Amerika approach as examples of feminist drama (and in case of Cixous, also an example of feminist postdramatic theatre) the problem of appropriation, an important question of feminist theories. The article maps the means the texts use to tackle the problem, or whether they resign on it, and discusses Cixous’s reinstalment of the narrator in drama and usage of a structure based on the narrative mode of the stream of consciousness as methods to highlight appropriation processes. ER -
ŠVACHOVÁ, Romana. How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation. \textit{Brünner Beiträge zur Germanistik und Nordistik}. Brno: Masarykova univerzita, 2021, roč.~35, č.~2, s.~125-136. ISSN~1803-7380.
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