2021
Tema sakralizacija tekstov v tvorčestve Brjusova.
GREBCHENKO, DariaZákladní údaje
Originální název
Tema sakralizacija tekstov v tvorčestve Brjusova.
Název anglicky
The theme of sacralization of texts in the work of Bryusov.
Autoři
GREBCHENKO, Daria
Vydání
Meždunarodnaja naučnaja konferencija «XXIX Lotmanovskije čtenija "Literatura i dokument. Fol’klor i dokument", 24.-25. prosince 2021, Moskva, Ruská federace, 2021
Další údaje
Jazyk
ruština
Typ výsledku
Prezentace na konferencích
Obor
60206 Specific literatures
Stát vydavatele
Rusko
Utajení
není předmětem státního či obchodního tajemství
Organizační jednotka
Filozofická fakulta
Klíčová slova česky
Brjusov; Serebrjanyj vek; russkije simvolisty; sakralizacija tekstov
Klíčová slova anglicky
Bryusov; Silver Age; Russian Symbolists; sacralization of texts
Změněno: 20. 10. 2022 21:46, Mgr. Daria Grebchenko
V originále
Tema sakralizacii teksta volnovala čelovečestvo na protjaženii vsego jego suščestvovanija, na rubeže ChICh-CHCH stoletij dannyj vopros stal osobenno ostro. Russkije pisateli-simvolisty neodnokratno podnimali vopros o dannoj problematike v svoich proizvedenijach, odnako imenno v tvorčestve Valerija Brjusova dannaja tema prozvučala osobenno jarko. V cikle stichotvorenij «Sny čelovečestva» poèt podnimajet vopros o sakral’nosti religioznych tekstov, opisyvaja volnenija i čajanija ljudej različnych èpoch i narodov. V prozaičeskich proizvedenijach Brjusova v «Ognennom angele» i «Altare Pobedy» glavnyje geroi starajutsja ubereč’ sakral’nyje, po ich mneniju, znanija i teksty. Renata i Ruprercht, uverovavšije v svjaščennost’ magičeskich knig, starajas’ prikosnut’sja k tajnym znanijam, nadeljajut teksty magičeskoj siloj. Tema sakral’nosti teksta podnimajetsja ješče v samom načale proizvedenija, poskol’ku glavnyj geroj s osobennym trepetom otnositsja k knigam, počti oduševljaja starinnyje zapisi. V stat’jach Brjusova «Učiteli učitelej», a takže v cikle stichotvorenij i p’jese, posvjaščennych Atlantide, udeljajetsja bol’šaja rol’ sakralizacii tekstov. S pomošč’ju rasšifrovki zapisej, glavnyje geroi otkryvajut neizvedannyje dlja sebja znanija, kotoryje polnost’ju izmenjajut suščestvujuščuju dlja nich real’nost’. Takže v poètičeskich sbornikach, posvjaščennych poèzii Latvii, Finljandii, Armenii, Brjusov otbirajet i perevodit stichi, zatragivajuščije religioznoje otnošeniju k tekstam. Krome togo, bol’šoje vnimanije v sbornikach udeleno fol’klornoj tradicii, jeje zapisjam i pereosmysleniju tekstov
Anglicky
The topic of sacralization of the text worried mankind throughout its existence, at the turn of the nineteenth and twentieth centuries, this issue became especially acute. Russian Symbolist writers have repeatedly raised the issue of this issue in their works, but it was in the work of Valery Bryusov that this topic sounded especially vividly. In the cycle of poems "Dreams of Humanity" the poet raises the question of the sacredness of religious texts, describing the worries and aspirations of people of different eras and nations. In Bryusov's prose works in The Fiery Angel and The Altar of Victory, the main characters try to preserve what they believe to be sacred knowledge and texts. Renata and Ruprecht, who believed in the sacredness of magic books, trying to touch secret knowledge, endow the texts with magical power. The topic of the sacredness of the text is raised at the very beginning of the work, since the main character treats books with special trepidation, almost animating old records. In Bryusov's articles "Teachers of teachers", as well as in a cycle of poems and a play dedicated to Atlantis, a large role is given to the sacralization of texts. By deciphering the records, the main characters discover unknown knowledge that completely changes the reality that exists for them. Also in poetry collections dedicated to the poetry of Latvia, Finland, Armenia, Bryusov selects and translates poems affecting the religious attitude to texts. In addition, much attention in the collections is paid to the folklore tradition, its recordings and rethinking of texts.
Návaznosti
| MUNI/A/1331/2020, interní kód MU |
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