J 2021

"Their hour will be his hour" : Margaret Atwood's Hag-Seed and the Conventions of Renaissance Revenge Plays

KRAJNÍK, Filip and Michaela WEISS

Basic information

Original name

"Their hour will be his hour" : Margaret Atwood's Hag-Seed and the Conventions of Renaissance Revenge Plays

Authors

KRAJNÍK, Filip (203 Czech Republic, guarantor, belonging to the institution) and Michaela WEISS (203 Czech Republic, belonging to the institution)

Edition

Hradec Králové Journal of Anglophone Studies, Hradec Králové, Department of English Language and Literature, Faculty of Education, University of Hradec Králové, 2021, 2336-3347

Other information

Language

English

Type of outcome

Article in a journal

Field of Study

60206 Specific literatures

Country of publisher

Czech Republic

Confidentiality degree

is not subject to a state or trade secret

RIV identification code

RIV/00216224:14210/21:00123760

Organization unit

Faculty of Arts

Keywords in English

Margaret Atwood; Hag-Seed; William Shakespeare; The Tempest; revenge tragedy; early-modern English theatre

Tags

Tags

International impact, Reviewed
Changed: 10/2/2022 21:39, Mgr. Jana Pelclová, Ph.D.

Abstract

In the original language

Although an openly radical re-imagination of Shakespeare’s The Tempest, Margaret Atwood’s Hag-Seed (2016) is in many ways faithful to the Renaissance roots of its model. Streamlining the convoluted plot of the original and narrating it chiefly from the perspective of the story’s protagonist, Felix Phillips (the “Prospero” of the novel), Atwood’s text is centred on the motifs of (in)justice and personal revenge. This article argues that to emphasise her interpretation of the Shakespeare play, Atwood employs a number of conventional elements of Elizabethan and Jacobean revenge plays – such as the metatheatrical techniques, the strong character of the avenger, the presence of the ghost and the avenger’s death – making her novel not only a modernised version of Shakespeare’s The Tempest, but also a revival, of a kind, of a whole dramatic genre, whose popularity peaked in the late 16th and early 17th centuries and whose conventions permeate the structure of Hag-Seed’s narrative.

Links

MUNI/A/1446/2020, interní kód MU
Name: Paradigms, strategies and developments - Anglophone literary and cultural studies
Investor: Masaryk University