Singing in the blend : stagings of Verdi's operatic Shakespeare
in the Czech Republic after 1989

J 2021

Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

HAVLÍČKOVÁ KYSOVÁ, Šárka

Základní údaje

Originální název

Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

Autoři

HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Česká republika, garant, domácí)

Vydání

Theatralia, Masarykova univerzita, 2021, 1803-845X

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60403 Performing arts studies

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/21:00123765

Organizační jednotka

Filozofická fakulta

DOI

http://dx.doi.org/10.5817/TY2021-S-14

Klíčová slova anglicky

Arrigo Boito; Conceptual blending; Conceptual metaphor; Dominik Neuner; Giuseppe Verdi; Lubor Cukr; Multimodal metaphor; National Theatre Prague; Opera; Otello; Prague State Opera; Theatre; Vladimír Nývlt

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 19. 5. 2022 13:20, Mgr. et Mgr. Lucie Racyn

Anotace

V originále

The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.

Návaznosti

MUNI/A/1533/2020, interní kód MU

Název: Výzkum divadelní kultury v interdisciplinárních přesazích II. (Akronym: DIVADLO)

Investor: Masarykova univerzita, Výzkum divadelní kultury v interdisciplinárních přesazích II.

VF MG 21920060, interní kód MU

Název: Shakespeare in Central Europe after 1989: common heritage and regional identity (Akronym: SHK89)

Investor: Mezinárodní visegrádský fond (IVF), Shakespeare in Central Europe after 1989: common heritage and regional identity

Citovat

HAVLÍČKOVÁ KYSOVÁ, Šárka. Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. Masarykova univerzita, 2021, roč. 24, Special Issue, s. 189-208. ISSN 1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2021-S-14.

@article{1822704,
   author = {Havlíčková Kysová, Šárka},
   article_number = {Special Issue},
   doi = {http://dx.doi.org/10.5817/TY2021-S-14},
   keywords = {Arrigo Boito; Conceptual blending; Conceptual metaphor; Dominik Neuner; Giuseppe Verdi; Lubor Cukr; Multimodal metaphor; National Theatre Prague; Opera; Otello; Prague State Opera; Theatre; Vladimír Nývlt},
   language = {eng},
   issn = {1803-845X},
   journal = {Theatralia},
   title = {Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989},
   url = {https://digilib.phil.muni.cz/handle/11222.digilib/143681},
   volume = {24},
   year = {2021}
}

TY  - JOUR
ID  - 1822704
AU  - Havlíčková Kysová, Šárka
PY  - 2021
TI  - Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989
JF  - Theatralia
VL  - 24
IS  - Special Issue
SP  - 189-208
EP  - 189-208
PB  - Masarykova univerzita
SN  - 1803845X
KW  - Arrigo Boito
KW  - Conceptual blending
KW  - Conceptual metaphor
KW  - Dominik Neuner
KW  - Giuseppe Verdi
KW  - Lubor Cukr
KW  - Multimodal metaphor
KW  - National Theatre Prague
KW  - Opera
KW  - Otello
KW  - Prague State Opera
KW  - Theatre
KW  - Vladimír Nývlt
UR  - https://digilib.phil.muni.cz/handle/11222.digilib/143681
N2  - The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.
ER  -

HAVLÍČKOVÁ KYSOVÁ, Šárka. Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. \textit{Theatralia}. Masarykova univerzita, 2021, roč.~24, Special Issue, s.~189-208. ISSN~1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2021-S-14.

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