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@article{1827819,
author = {Foletti, Ivan},
article_number = {1},
keywords = {Aniconic Images; Ornamentum; San Vincenzo al Volturno; Sant’Agnese in Rome; Golden Altar of Ambrose; Khachkars; “Crista” of Suger of Saint Denis; Malevich},
language = {eng},
issn = {0214-896X},
journal = {Codex Aqvilarensis},
title = {The Tangible and the Invisible : from Faces to Concepts, and to Malevich},
url = {https://www.romanicodigital.com/otros-contenidos/revista-codex-aquilarensis},
volume = {37},
year = {2022}
}
TY - JOUR
ID - 1827819
AU - Foletti, Ivan
PY - 2022
TI - The Tangible and the Invisible : from Faces to Concepts, and to Malevich
JF - Codex Aqvilarensis
VL - 37
IS - 1
SP - 305-318
EP - 305-318
SN - 0214896X
KW - Aniconic Images
KW - Ornamentum
KW - San Vincenzo al Volturno
KW - Sant’Agnese in Rome
KW - Golden Altar of Ambrose
KW - Khachkars
KW - “Crista” of Suger of Saint Denis
KW - Malevich
UR - https://www.romanicodigital.com/otros-contenidos/revista-codex-aquilarensis
N2 - How to represent God was a crucial question in the early Middle Ages. While the idea that the face of Christ could be depicted was accepted, alternative versions emerged over the centuries. Following an initial phase with devotional images oscillating between mimetic and schematic, aniconic images appeared more prevalently. Aniconic ornamentum then became one of the most effective ways to give a tangible dimension to the invisible god.
ER -
FOLETTI, Ivan. The Tangible and the Invisible : from Faces to Concepts, and to Malevich. \textit{Codex Aqvilarensis}. 2022, roč.~37, č.~1, s.~305-318. ISSN~0214-896X.
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