ALEXANDRESCU, Filip, Robert OSMAN, Petr KLUSÁČEK and Jiří MALÝ. Taming the genius loci? Contesting post-socialist creative industries in the case of Brno's former prison. Cities. Elsevier, 2020, vol. 98, 10 pp. ISSN 0264-2751. Available from: https://dx.doi.org/10.1016/j.cities.2019.102578.
Other formats:   BibTeX LaTeX RIS
Basic information
Original name Taming the genius loci? Contesting post-socialist creative industries in the case of Brno's former prison
Authors ALEXANDRESCU, Filip, Robert OSMAN, Petr KLUSÁČEK and Jiří MALÝ.
Edition Cities, Elsevier, 2020, 0264-2751.
Other information
Original language Czech
Type of outcome Article in a journal
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
Impact factor Impact factor: 5.835
Doi http://dx.doi.org/10.1016/j.cities.2019.102578
Keywords in English Creative industries; Relational place-making; Post-socialism; Historical memory
Tags RIV ne
Tags International impact, Reviewed
Changed by Changed by: Mgr. Jiří Malý, Ph.D., učo 223078. Changed: 22/2/2022 15:26.
Abstract
In the increasingly tight race of inter-urban competition, the idea that cities have to be made creative has gripped the imagination of urban planners and scholars alike. This process is imagined as straightforward, readily exportable and devoid of conflict. The paper uses the perspective of relational place-making to reveal the creative city imperative as a political process. This is carried out through the medium of conflict, which brings about two contrasting place frames, which progressively reveal each other's political connections. We use the case of a former central-European prison, located in Brno, the Czech Republic, to show how making a city creative is just one possible framing of a place, how making cities attractive to creative individuals engenders resistance and how historical memory summons the powerful genius loci, that is nevertheless relational and contingent. The results illustrate in detail how the conflict between development and preservation unfolds around six axes of opposition that define the two frames (e.g. future vs. past, part vs. whole etc.) and how these axes are themselves linked to various concepts of place and time.
PrintDisplayed: 24/9/2024 04:09