Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela')

FOLETTI, Ivan. Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela'). In Rencontres Imago, Université de Poitiers. 2022.

Základní údaje

• Originální název: Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela')
• Název anglicky: The book on the throne: an image of orthodoxy in the Mediterranean of late antiquity (and beyond)
• Autoři: FOLETTI, Ivan (203 Česká republika, garant, domácí).
• Vydání: Rencontres Imago, Université de Poitiers, 2022.

Další údaje

• Originální jazyk: francouzština
• Typ výsledku: Vyžádané přednášky
• Obor: 60400 6.4 Arts
• Stát vydavatele: Francie
• Utajení: není předmětem státního či obchodního tajemství
• Kód RIV: RIV/00216224:14210/22:00119730
• Organizační jednotka: Filozofická fakulta
• Klíčová slova anglicky: Empty throne; Ecumenical Council; Liturgical Installation; Orthodoxy; Talin; Santa Maria Maggiore; San Crisogono; Hagia Sophia

Anotace

The lecture was organised as follows: the starting point for this study was the apsidal decoration of the church of Talin, where an empty throne – with a book depicted on it – dominated the space. This image was contextualised in the framework of throne representations with various attributes, which allow us to understand the dissemination of this visual (and ritual) concept around the Mediterranean. Thirdly, the political significance of thrones with books between the fifth and ninth centuries was analysed, and finally, it was explored the political-ecclesiastical context in which the Talin image was painted.

Anotace anglicky

The lecture was organised as follows: the starting point for this study was the apsidal decoration of the church of Talin, where an empty throne – with a book depicted on it – dominated the space. This image was contextualised in the framework of throne representations with various attributes, which allow us to understand the dissemination of this visual (and ritual) concept around the Mediterranean. Thirdly, the political significance of thrones with books between the fifth and ninth centuries was analysed, and finally, it was explored the political-ecclesiastical context in which the Talin image was painted.

Návaznosti

• GF21-01706L, projekt VaV: Název: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Akronym: CIMS)

Investor: Grantová agentura ČR, Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Partnerská agentura