2024
Performing branded affect in micro-celebrity YouTube reaction videos
CHOVANEC, JanZákladní údaje
Originální název
Performing branded affect in micro-celebrity YouTube reaction videos
Autoři
CHOVANEC, Jan (203 Česká republika, garant, domácí)
Vydání
1. vyd. Amsterdam, Influencer Discourse : Affective relations and identities, od s. 200-226, 27 s. Pragmatics & Beyond New Series, 349, 2024
Nakladatel
John Benjamins
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
60203 Linguistics
Stát vydavatele
Nizozemské království
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Kód RIV
RIV/00216224:14210/24:00135023
Organizační jednotka
Filozofická fakulta
ISBN
978-90-272-1599-4
UT WoS
001402155700009
EID Scopus
2-s2.0-85206633744
Klíčová slova česky
sociální média; diskurzní konstrukce identity; YouTube; emoce; expresivita; digitální diskurz; sociopragmatika
Klíčová slova anglicky
social media; discursive construction of identity; YouTube; emotions; expressivity; digital discourse; sociopragmatics
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 5. 3. 2025 10:00, Mgr. Pavla Martinková
Anotace
V originále
While significant attention has been paid to how social media influencers and content creators use diverse channels for self-presentation and self-promotion, there has been relatively less research into how they employ affective resources in on-screen interactions with their audiences. This article analyses the ways in which online micro-celebrities deploy the resources of affective stance in one specific subgenre of YouTube videos, namely reaction videos. It seeks to identify ways of how such individuals perform affect while otherwise passively watching well-known videos which they allegedly had not seen before (‘first-time watching’). Thus, influencers expose online audiences to their (seemingly) authentic reactions, involving a range of affective responses including surprise, appreciation, amusement etc. The findings reveal that YouTube influencers use affective stance in reaction videos strategically rather than spontaneously, consciously performing affect for their audiences. The article argues that such a form of performed affect is closely linked to self-branding and can be described in two ways: not only as ‘synthetic affect’, which is inauthentic and staged for the benefit of the audience, but also as ‘branded affect’, which is interlinked to the ultimate economic success of social media content creators.
Návaznosti
MUNI/A/1328/2023, interní kód MU |
|