Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The
Migrating Art Historians Project Five Years Later

J 2022

Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later

FOLETTI, Ivan a Martin LEŠÁK

Základní údaje

Originální název

Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later

Autoři

FOLETTI, Ivan a Martin LEŠÁK

Vydání

Peregrinations : Journal of Medieval Art and Architecture, Gambier (USA), 2022, 1554-8678

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Spojené státy

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/22:00127145

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

romanesque art; medieval pilgrims; Migrating Art Historians; Middle Ages; bodily experience; pilgrimage; walking

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 22. 5. 2024 11:08, Alžběta Filipová, M.A., Ph.D.

Anotace

V originále

The Migrating Art Historians project (2017) was a challenging one. It provoked a strong reaction from a non-academic audience while stimulating a vivid discussion – both printed and informal – within academia itself. Starting with the academic debates it is worthwhile to admit that the project was – as well as its outputs – rather nonconformist. It was unprecedented in the field of Art History, which is not always accustomed to the experimental collecting of data. Furthermore, its hierarchical structure challenged the habitus of academia, when masters students were invited to participate in the same scholarly event and publication as established scholars such as Hans Belting, Michele Bacci, Sible de Blaauw, and Cynthia Hahn. At first glance, the project may have been misunderstood as an attempt to create an event of “living history.” In the world where a book is reduced to an introduction, abstract, keywords, or even just the title appearing on social media, such a misunderstanding can easily be made. Looking closer, it is clear that this was never the intention nor the outcome of the project.

Návaznosti

101007770, interní kód MU

Název: Conques in the Global World. Transferring Knowledge: from Material to Immaterial Heritage (Akronym: Conques)

Investor: Evropská unie, Conques in the Global World. Transferring Knowledge: from Material to Immaterial Heritage, MSCA Marie Skłodowska-Curie Actions (Excellent Science)

Přiložené soubory

Reconsidering__Romanesque__Art_Through_the_Pilgrim_s_Body_FINAL.pdf

Citovat

FOLETTI, Ivan a Martin LEŠÁK. Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later. Peregrinations : Journal of Medieval Art and Architecture. Gambier (USA), 2022, roč. 8, č. 2, s. 43-67. ISSN 1554-8678.

@article{2231718,
   author = {Foletti, Ivan and Lešák, Martin},
   article_location = {Gambier (USA)},
   article_number = {2},
   keywords = {romanesque art; medieval pilgrims; Migrating Art Historians; Middle Ages; bodily experience; pilgrimage; walking},
   language = {eng},
   issn = {1554-8678},
   journal = {Peregrinations : Journal of Medieval Art and Architecture},
   title = {Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later},
   url = {https://digital.kenyon.edu/perejournal/vol8/iss2/2/},
   volume = {8},
   year = {2022}
}

TY  - JOUR
ID  - 2231718
AU  - Foletti, Ivan - Lešák, Martin
PY  - 2022
TI  - Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later
JF  - Peregrinations : Journal of Medieval Art and Architecture
VL  - 8
IS  - 2
SP  - 43-67
EP  - 43-67
SN  - 15548678
KW  - romanesque art
KW  - medieval pilgrims
KW  - Migrating Art Historians
KW  - Middle Ages
KW  - bodily experience
KW  - pilgrimage
KW  - walking
UR  - https://digital.kenyon.edu/perejournal/vol8/iss2/2/
N2  - The Migrating Art Historians project (2017) was a challenging one. It provoked a strong reaction from a non-academic audience while stimulating a vivid discussion – both printed and informal – within academia itself. Starting with the academic debates it is worthwhile to admit that the project was – as well as its outputs – rather nonconformist. It was unprecedented in the field of Art History, which is not always accustomed to the experimental collecting of data. Furthermore, its hierarchical structure challenged the habitus of academia, when masters students were invited to participate in the same scholarly event and publication as established scholars such as Hans Belting, Michele Bacci, Sible de Blaauw, and Cynthia Hahn. At first glance, the project may have been misunderstood as an attempt to create an event of “living history.” In the world where a book is reduced to an introduction, abstract, keywords, or even just the title appearing on social media, such a misunderstanding can easily be made. Looking closer, it is clear that this was never the intention nor the outcome of the project.
ER  -

FOLETTI, Ivan a Martin LEŠÁK. Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later. \textit{Peregrinations : Journal of Medieval Art and Architecture}. Gambier (USA), 2022, roč.~8, č.~2, s.~43-67. ISSN~1554-8678.

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