Reasons for a multidisciplinary approach to the study of
Venetian textual and visual landscape in the XIVth century

k 2022

Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century

MOLTENI, Ilaria a Paolo DIVIZIA

Základní údaje

Originální název

Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century

Autoři

MOLTENI, Ilaria a Paolo DIVIZIA

Vydání

Inventing Past Narratives : Venice and the Adriatic Space (13th-15th centuries), 12.–13. 12. 2022, Brno, 2022

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Medieval Venice; Manuscripts; Romance Philology; Medieval Art History

Štítky

kontrola_RIV

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 21. 3. 2023 14:28, prof. Mgr. Ondřej Jakubec, Ph.D.

Anotace

V originále

This conference aims to explore the dialogue between Venice and the centres of the Adriatic area from a specific perspective, that of the construction of the past. These are perhaps the two major lines of research on medieval Venice. Pursued by scholars of various fields and nationalities, they have proved crucial in describing the city's cultural profile and highlighting the characteristics of its artistic and literary production. In addressing two major research themes on Venice simultaneously, we would like to create a dialogue between specialists from various disciplines and also examine the validity of interdisciplinary approaches at the intersection of different cultural fields (textual and visual, material, historiographic). The chronological and geographical perspective chosen, which covers the late Middle Ages and the early modern age and focuses on the interaction between Venice and other centres in the Adriatic space (Ravenna and the late antique heritage, Constantinople, the courtly network of Northern Italy, the Venetian colonies such as Dubrovnik, Bolognese ars dictaminis models), seems to be essential. It will indeed enable us to describe how the past is used to stage multiple, co-existing, even competing representational strategies and to explore the mechanism of memory and recognition through which, when looking at artefacts or reading texts staging Venetian past, beholders are reminded of the shared values this past embodies.

Návaznosti

GA22-14770S, projekt VaV

Název: Na křižovatce pamětí. Umění a reprezentace v Benátkách 14. století (Akronym: Venice14)

Investor: Grantová agentura ČR, At the Crossroads of Memories: Art and Representation in 14th-century Venice

Citovat

MOLTENI, Ilaria a Paolo DIVIZIA. Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century. In Inventing Past Narratives : Venice and the Adriatic Space (13th-15th centuries), 12.–13. 12. 2022, Brno. 2022.

@proceedings{2239901,
   author = {Molteni, Ilaria and Divizia, Paolo},
   booktitle = {Inventing Past Narratives : Venice and the Adriatic Space (13th-15th centuries), 12.–13. 12. 2022, Brno},
   keywords = {Medieval Venice; Manuscripts; Romance Philology; Medieval Art History},
   language = {eng},
   title = {Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century},
   url = {https://www.earlymedievalstudies.com/news%20html/2022/event_22.12.12.html},
   year = {2022}
}

TY  - CONF
ID  - 2239901
AU  - Molteni, Ilaria - Divizia, Paolo
PY  - 2022
TI  - Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century
KW  - Medieval Venice
KW  - Manuscripts
KW  - Romance Philology
KW  - Medieval Art History
UR  - https://www.earlymedievalstudies.com/news%20html/2022/event_22.12.12.html
N2  - This conference aims to explore the dialogue between Venice and the centres of the Adriatic area from a specific perspective, that of the construction of the past. These are perhaps the two major lines of research on medieval Venice. Pursued by scholars of various fields and nationalities, they have proved crucial in describing the city's cultural profile and highlighting the characteristics of its artistic and literary production. In addressing two major research themes on Venice simultaneously, we would like to create a dialogue between specialists from various disciplines and also examine the validity of interdisciplinary approaches at the intersection of different cultural fields (textual and visual, material, historiographic). The chronological and geographical perspective chosen, which covers the late Middle Ages and the early modern age and focuses on the interaction between Venice and other centres in the Adriatic space (Ravenna and the late antique heritage, Constantinople, the courtly network of Northern Italy, the Venetian colonies such as Dubrovnik, Bolognese ars dictaminis models), seems to be essential. It will indeed enable us to describe how the past is used to stage multiple, co-existing, even competing representational strategies and to explore the mechanism of memory and recognition through which, when looking at artefacts or reading texts staging Venetian past, beholders are reminded of the shared values this past embodies.
ER  -

MOLTENI, Ilaria a Paolo DIVIZIA. Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century. In \textit{Inventing Past Narratives : Venice and the Adriatic Space (13th-15th centuries), 12.–13. 12. 2022, Brno}. 2022.

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