KOKEŠ, Radomír D. The Spiral Narrative and the Sequel: How to Innovate an Innovative Schema? In Structures and Voices: Storytelling in Post-Digital Times (The Necs 2019 Conference, Gdansk). 2019.
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Basic information
Original name The Spiral Narrative and the Sequel: How to Innovate an Innovative Schema?
Authors KOKEŠ, Radomír D.
Edition Structures and Voices: Storytelling in Post-Digital Times (The Necs 2019 Conference, Gdansk), 2019.
Other information
Original language English
Type of outcome Presentations at conferences
Field of Study 60405 Studies on Film, Radio and Television
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
Organization unit Faculty of Arts
Keywords in English Hollywood; storytelling; spiral narrative; film promotion; problem-solving; poetics of cinema; film analysis
Tags International impact
Changed by Changed by: Mgr. Radomír D. Kokeš, Ph.D., učo 189091. Changed: 3/1/2023 17:13.
Abstract
In this paper, I am going to discuss several questions. First, what is the production dynamics of innovation through a spiral narrative schema? After all, the applications of a spiral narrative are a highly repetitive phenomenon. They are repetitive internally, whey they handle with rather complex storytellings about repetition and variation. However, they are repetitive externally as well, yet those sets of devices and tactics on how to keep the viewer‘s attention are relatively limited. Furthermore, with the help of the case of films HAPPY DEATH DAY and HAPPY DEATH DAY 2U, I will ask: How could the creators proceed if they decided to make a sequel? If the spiral scheme is an innovative tool, how is conceivable to innovate innovation?
Links
MUNI/A/0946/2018, interní kód MUName: Kinematografie a mediální kultura
Investor: Masaryk University, Category A
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