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@misc{2243702,
author = {Flašar, Martin},
keywords = {sound-based composition; Leigh Landy; electroacoustic music; space; radioart},
language = {eng},
title = {Leigh Landy : Three Sound-based Sample-based Compositions : one text-sound, one music-based and one involving any sounds},
year = {2022}
}
TY - CONF
ID - 2243702
AU - Flašar, Martin
PY - 2022
TI - Leigh Landy : Three Sound-based Sample-based Compositions : one text-sound, one music-based and one involving any sounds
KW - sound-based composition
KW - Leigh Landy
KW - electroacoustic music
KW - space
KW - radioart
N2 - Taking the main concepts introduced in Leigh Landy's talk, ‘Making Sound-based Music Relevant’, this workshop involves introducing three (of several) possible ways of recycling (or remixing) sounds creating what Landy likes to call ‘a theatre of sounds within a choreography of space’. Two of the three works are surround-sound fixed compositions, one using samples from hundreds of world music recordings and another involving recordings of dozens of Czech radio broadcasts. The third, a performed work (including a stereo recording) uses various texts by the early 20th century writer, Gertrude Stein, and involves their being completely recomposed. This workshop reflects on aspects of finding and selecting potential materials, aspects of pre-composition and the composition itself involving various compositional elements regarding order, contrast, spatialisation, structure, humour and much more. It relates these to Landy's personal search to be innovative and accessible to a wide number of communities of interest.
ER -
FLAŠAR, Martin. \textit{Leigh Landy : Three Sound-based Sample-based Compositions : one text-sound, one music-based and one involving any sounds}. 2022.
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