Art from the Borders? Wolfgang Fritz Volbach and the
Localization of a Group of Early Christian Ivory Pyxides in the
Caucasus

C 2023

Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus

CAMPINI, Ruben

Základní údaje

Originální název

Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus

Název česky

Umění od hranic? Wolfgang Fritz Volbach a lokalizace skupiny pozdně antických slonovinových pyxid na Kavkaz

Autoři

CAMPINI, Ruben (380 Itálie, garant, domácí)

Vydání

Turnhout, Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage, od s. 152-167, 16 s. Convivium Supplementum, 11, 2023

Nakladatel

Brepols

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Belgie

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

URL

Kód RIV

RIV/00216224:14210/23:00130910

Organizační jednotka

Filozofická fakulta

ISBN

978-80-280-0306-7

DOI

http://dx.doi.org/10.1484/M.CONVISUP-EB.5.135381

UT WoS

001004775500009

Klíčová slova anglicky

Caucasus; Early Christian ivories; Ējmiatsin ivory diptych; Late Antiquity; Wolfgang Fritz Volbach

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 12. 3. 2024 10:19, Alžběta Filipová, M.A., Ph.D.

Anotace

V originále

What was the thinking behind Wolfgang Fritz Volbach's attribution of a small group of Early Christian ivory pyxides to carvers active in the Caucasus? And does his hypothesis still hold up in the context of recent scholarship? By revisiting Volbach's attribution and its framing into the more general discussions about the localization of the production of late antique ivories that emerged since the second half of the nineteenth century, the present contribution wishes to re-address the question of the potential presence of sites of ivory carving in the Caucasus during Late Antiquity. Without definitive evidence supporting Volbach's proposal, the study of portable objects such as pyxides remains fundamental to de-marginalizing the role of Armenia and the Caucasus in the late antique Mediterranean interactions. Indeed, the finding of pyxides, ampullae, and censers in this area attests at least to their circulation and use, showing that they were not marginal spaces on the periphery of the eastern Roman world but, on the contrary, were actively engaged in its exchanges.

Návaznosti

GF21-01706L, projekt VaV

Název: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Akronym: CIMS)

Investor: Grantová agentura ČR, Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Partnerská agentura (Švýcarsko)

Citovat

CAMPINI, Ruben. Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus. In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage. Turnhout: Brepols, 2023, s. 152-167. Convivium Supplementum, 11. ISBN 978-80-280-0306-7. Dostupné z: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135381.

@inbook{2288079,
   author = {Campini, Ruben},
   address = {Turnhout},
   booktitle = {Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage},
   doi = {http://dx.doi.org/10.1484/M.CONVISUP-EB.5.135381},
   editor = {Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan},
   keywords = {Caucasus; Early Christian ivories; Ējmiatsin ivory diptych; Late Antiquity; Wolfgang Fritz Volbach},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Turnhout},
   isbn = {978-80-280-0306-7},
   pages = {152-167},
   publisher = {Brepols},
   title = {Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus},
   url = {https://www.brepols.net/series/convisup#publications},
   year = {2023}
}

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ID  - 2288079
AU  - Campini, Ruben
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VL  - Convivium Supplementum, 11
PB  - Brepols
CY  - Turnhout
SN  - 9788028003067
KW  - Caucasus
KW  - Early Christian ivories
KW  - Ējmiatsin ivory diptych
KW  - Late Antiquity
KW  - Wolfgang Fritz Volbach
UR  - https://www.brepols.net/series/convisup#publications
N2  - What was the thinking behind Wolfgang Fritz Volbach's attribution of a small group of Early Christian ivory pyxides to carvers active in the Caucasus? And does his hypothesis still hold up in the context of recent scholarship? By revisiting Volbach's attribution and its framing into the more general discussions about the localization of the production of late antique ivories that emerged since the second half of the nineteenth century, the present contribution wishes to re-address the question of the potential presence of sites of ivory carving in the Caucasus during Late Antiquity. Without definitive evidence supporting Volbach's proposal, the study of portable objects such as pyxides remains fundamental to de-marginalizing the role of Armenia and the Caucasus in the late antique Mediterranean interactions. Indeed, the finding of pyxides, ampullae, and censers in this area attests at least to their circulation and use, showing that they were not marginal spaces on the periphery of the eastern Roman world but, on the contrary, were actively engaged in its exchanges.
ER  -

CAMPINI, Ruben. Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus. In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. \textit{Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage}. Turnhout: Brepols, 2023, s.~152-167. Convivium Supplementum, 11. ISBN~978-80-280-0306-7. Dostupné z: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135381.

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