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@proceedings{2320899, author = {Řánková, Terezie}, booktitle = {International convention for ethnology and anthropology students: Ethnology without Borders}, keywords = {UNESCO; intangible cultural heritage; theatrical expressions; performing arts; performativity; autopoiesis; bodily; embodiment}, language = {eng}, title = {Performing heritage: Between tradition and Innovation}, year = {2023} }
TY - CONF ID - 2320899 AU - Řánková, Terezie PY - 2023 TI - Performing heritage: Between tradition and Innovation KW - UNESCO KW - intangible cultural heritage KW - theatrical expressions KW - performing arts KW - performativity KW - autopoiesis KW - bodily KW - embodiment N2 - For events registered as „heritage,“ there is a tendency to preserve these practices and thus suppress the cultural process (Claessen, 2002; Fog Olwig, 2002; Kurin, 2002; Sears, 2002), but at the same time, contemporary ideas and innovations, whether conscious or unconscious, emerge quite spontaneously. The concept of the performativity of heritage also challenges the notion of audience passivity and places the audience in the role of active actors in the performance of heritage (Smith, 2006). In this case, how does autopoiesis affect the form of heritage and the tension between 'conservation' and 'innovation'? This paper will discuss examples of selected intangible cultural heritage practices from the Czech Republic. ER -
ŘÁNKOVÁ, Terezie. Performing heritage: Between tradition and Innovation. In \textit{International convention for ethnology and anthropology students: Ethnology without Borders}. 2023.
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