2023
Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France
PALLADINO, AdrienZákladní údaje
Originální název
Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France
Autoři
PALLADINO, Adrien (250 Francie, garant, domácí)
Vydání
Turnhout, Contextualizing Conques : Imaginaries, Narratives and Geographies, od s. 20-41, 22 s. Convivium Supplementum, 13, 2023
Nakladatel
Brepols
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
60401 Arts, Art history
Stát vydavatele
Belgie
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Kód RIV
RIV/00216224:14210/23:00132319
Organizační jednotka
Filozofická fakulta
ISBN
978-80-280-0425-5
UT WoS
001158126400005
Klíčová slova anglicky
Byzantine; historicism in architecture; Neo-Byzantine; nineteenth-century; restorations; Romano- Byzantine; Romanesque; Second Empire; Third Republic
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 13. 3. 2024 09:21, Alžběta Filipová, M.A., Ph.D.
Anotace
V originále
Taking as starting point an unrealized project for Conques by Jean- Camille Formigé, the architect of the abbey-church’s restorations in the 1870s–1880s, this paper explores the broader theories and practices of historicist restoration and building projects between the 1840s and the end of the nineteenth century. By looking firstly at the theorical frame in which the concepts of “Byzantine”, “Neo-Byzantine”, “Romano- Byzantine” and “Romanesque” were fabricated, and by then examining some of the most important monuments of historicist architecture (such as Saint-Front in Périgueux, the Sacré-Coeur), I aim to uncover the impact of these terms and their role in the reinvention of medieval art as well as in the formulation of racist, colonial, and national myths in modern art history. In these crucial years for the development of the discipline of art history but also for the formation of a French national identity, the role of the “Romano-Byzantine”and “Byzantine”styles reveals a tension at the intersection of religious revival, orientalist art history, and trans-Mediterranean – and perhaps also colonial – desires.
Návaznosti
101007770, interní kód MU |
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