C 2023

Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France

PALLADINO, Adrien

Základní údaje

Originální název

Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France

Autoři

PALLADINO, Adrien (250 Francie, garant, domácí)

Vydání

Turnhout, Contextualizing Conques : Imaginaries, Narratives and Geographies, od s. 20-41, 22 s. Convivium Supplementum, 13, 2023

Nakladatel

Brepols

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Belgie

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Kód RIV

RIV/00216224:14210/23:00132319

Organizační jednotka

Filozofická fakulta

ISBN

978-80-280-0425-5

UT WoS

001158126400005

Klíčová slova anglicky

Byzantine; historicism in architecture; Neo-Byzantine; nineteenth-century; restorations; Romano- Byzantine; Romanesque; Second Empire; Third Republic

Štítky

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 13. 3. 2024 09:21, Alžběta Filipová, M.A., Ph.D.

Anotace

V originále

Taking as starting point an unrealized project for Conques by Jean- Camille Formigé, the architect of the abbey-church’s restorations in the 1870s–1880s, this paper explores the broader theories and practices of historicist restoration and building projects between the 1840s and the end of the nineteenth century. By looking firstly at the theorical frame in which the concepts of “Byzantine”, “Neo-Byzantine”, “Romano- Byzantine” and “Romanesque” were fabricated, and by then examining some of the most important monuments of historicist architecture (such as Saint-Front in Périgueux, the Sacré-Coeur), I aim to uncover the impact of these terms and their role in the reinvention of medieval art as well as in the formulation of racist, colonial, and national myths in modern art history. In these crucial years for the development of the discipline of art history but also for the formation of a French national identity, the role of the “Romano-Byzantine”and “Byzantine”styles reveals a tension at the intersection of religious revival, orientalist art history, and trans-Mediterranean – and perhaps also colonial – desires.

Návaznosti

101007770, interní kód MU
Název: Conques in the Global World. Transferring Knowledge: from Material to Immaterial Heritage (Akronym: Conques)
Investor: Evropská unie, Conques in the Global World. Transferring Knowledge: from Material to Immaterial Heritage, MSCA Marie Skłodowska-Curie Actions (Excellent Science)