2023
Byzantine Echoes in “Romanesque” France: Textiles, Enamels & Modern Myths
PALLADINO, AdrienZákladní údaje
Originální název
Byzantine Echoes in “Romanesque” France: Textiles, Enamels & Modern Myths
Autoři
Vydání
12. Byzantologický den / 12th Day of Byzantine Studies Slovanský ústav AV ČR, 2023
Další údaje
Jazyk
angličtina
Typ výsledku
Prezentace na konferencích
Obor
60401 Arts, Art history
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
Byzantine; Textiles; Object Conversion; Conques; Treasures; Objects; Enamel; Workshops; Art History; Historiography; 19th century
Změněno: 28. 5. 2024 12:29, Alžběta Filipová, M.A., Ph.D.
Anotace
V originále
The presence of objects of Byzantine or Islamic origins within church treasures of medieval Europe is one of the preferred topics for art historians to understand how specific stories, memories, and myths can become attached to artifacts taken out of their original context and brought into a new one. Usually, these objects are characterized by their appearance which marks them as somewhat different, distinguished from the “local” production. They are also often “old”, stemming from markedly older periods of production, and thus linked with notions of distance, exoticism, and sometimes associated with a certain “authenticity”. In some cases, as other pieces of spolia, they are also used to mark the superiority of one culture towards another. In this paper, I firstly presented the general framework of the reception of Islamic and Byzantine objects, often conflated, in European church treasures of the 11th-12th centuries, before moving the case of Conques – with focus on two categories of artifacts: textiles and enamels.
Návaznosti
| 101007770, interní kód MU |
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