Libri troiani e invenzioni mitografiche nel Trecento veneziano

MOLTENI, Ilaria. Libri troiani e invenzioni mitografiche nel Trecento veneziano. Troianalexandrina. Brepols, 2023, roč. 22, č. 22, s. 1-15, 16 s. ISSN 1577-5003.

Základní údaje

• Originální název: Libri troiani e invenzioni mitografiche nel Trecento veneziano
• Název anglicky: Trojan Books and mythical Inventions in 14th-century Venice
• Autoři: MOLTENI, Ilaria.
• Vydání: Troianalexandrina, Brepols, 2023, 1577-5003.

Další údaje

• Originální jazyk: italština
• Typ výsledku: Článek v odborném periodiku
• Stát vydavatele: Belgie
• Utajení: není předmětem státního či obchodního tajemství
• Organizační jednotka: Filozofická fakulta
• Klíčová slova anglicky: Venetian Chronicles, Trojan Legend, Historia destructionis Troiae, 14th-century Venice, Embriachi
• Příznaky: Mezinárodní význam, Recenzováno

Anotace

This article examines two manuscripts of Trojan history produced in 14th-century Venice – the Historia destructionis Troiae of Madrid, BNE, ms. 17805 and Cologny, BB, cod. Bodmer 78 – within the framework of literary and artistic interest for the Trojan myth in the Venetian area. The critical re-exam of the Madrid Historia aims to describe how both its iconographical and stylistic features participate in the invention of a new myth of the foundation of Venice, defined through the dialogue between Venetian chronicles and ancient history books. Decorated towards the end of the century, the Cologny codex reflects the lively interest in the Trojan matter that, both in Venice and on the mainland, led to the production of new artefacts in the second half of the century: manuscripts and luxury objects in which new visual storytelling appear, focusing on the adventures of single heroes and thus offering the reader new opportunities for identification. Examined within this dense network of literary and figurative experiences, the two manuscripts enable us to highlight the key role played by Trojan myth in Venetian civic and historical discourses

Anotace anglicky

This article examines two manuscripts of Trojan history produced in 14th-century Venice – the Historia destructionis Troiae of Madrid, BNE, ms. 17805 and Cologny, BB, cod. Bodmer 78 – within the framework of literary and artistic interest for the Trojan myth in the Venetian area. The critical re-exam of the Madrid Historia aims to describe how both its iconographical and stylistic features participate in the invention of a new myth of the foundation of Venice, defined through the dialogue between Venetian chronicles and ancient history books. Decorated towards the end of the century, the Cologny codex reflects the lively interest in the Trojan matter that, both in Venice and on the mainland, led to the production of new artefacts in the second half of the century: manuscripts and luxury objects in which new visual storytelling appear, focusing on the adventures of single heroes and thus offering the reader new opportunities for identification. Examined within this dense network of literary and figurative experiences, the two manuscripts enable us to highlight the key role played by Trojan myth in Venetian civic and historical discourses

Návaznosti

• GA22-14770S, projekt VaV: Název: Na křižovatce pamětí. Umění a reprezentace v Benátkách 14. století (Akronym: Venice14)

Investor: Grantová agentura ČR, At the Crossroads of Memories: Art and Representation in 14th-century Venice