2024
ANALYSIS OF THE WALL PAINTING OF THE DUNHUANG FRESCO AS A BASIS FOR ITS PRESERVATION AND RESTORATION
SANDU, Ion, Shiru WANG, Bianca BOROS, YULIA IVASHKO, Andrei Victor SANDU et. al.Základní údaje
Originální název
ANALYSIS OF THE WALL PAINTING OF THE DUNHUANG FRESCO AS A BASIS FOR ITS PRESERVATION AND RESTORATION
Autoři
SANDU, Ion (642 Rumunsko), Shiru WANG (804 Ukrajina), Bianca BOROS (642 Rumunsko), YULIA IVASHKO (804 Ukrajina), Andrei Victor SANDU (642 Rumunsko) a Pavol TIŠLIAR (703 Slovensko, garant, domácí)
Vydání
International Journal of Conservation Science, ROMANIA, UNIV ALEXANDRU IOAN CUZA IASI, ARHEOINVEST INTERDISCIPLINARY PLATFORM, 2024, 2067-533X
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
60101 History
Stát vydavatele
Rumunsko
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 0.800 v roce 2022
Organizační jednotka
Filozofická fakulta
UT WoS
001267334200027
Klíčová slova anglicky
China; Dunhuang; cave paintings; analysis; preservation; restoration
Změněno: 27. 8. 2024 11:16, prof. PhDr. Pavol Tišliar, PhD.
Anotace
V originále
The article analyses the wall paintings of Dunhuang sanctuaries based on mathematical methods of defining features and system-structural analysis. This makes it possible to analyse the frescoes according to a certain common criterion and to identify common and different ones. The method of system-structural analysis made it possible to present the sanctuary as a certain integrity with components covered with decor and decorated with sculpture. The main thematic genres of frescoes by period were analysed and it was proved that, in general, the process of the genesis of plans, structural schemes and wall paintings from the early to middle and late periods had the same characteristics, that is, the features of archaism and simplicity characterized both the number and variety of plans and structural schemes, and the subjects of frescoes. The features of each genre at different periods are determined.