Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze

FOLETTI, Ivan a Katarína KRAVČÍKOVÁ. Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze. In Tereza Horáková, Veronika Řezníčková. Od myšlenky k architektuře. Brno: B&P, 2024, s. 103-116. ISBN 978-80-280-0290-9.

Základní údaje

Originální název

Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze

Název anglicky

Image or concept? Models of architecture in the early Middle Ages (not only) in the Caucasus

Autoři

FOLETTI, Ivan a Katarína KRAVČÍKOVÁ

Vydání

Brno, Od myšlenky k architektuře, od s. 103-116, 14 s. 2024

Nakladatel

B&P

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Další údaje

Jazyk

čeština

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

URL

Označené pro přenos do RIV

Ne

Organizační jednotka

Filozofická fakulta

ISBN

978-80-280-0290-9

Klíčová slova anglicky

Models of Architecture; Caucasus; Trdat; Hagia Sophia; Images and Liturgy

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Anotace

V originále

The architectural model is one of the essential elements in the representation of prestigious patrons in the early medieval world. However, these model-images generally have little in common with the practice of designing buildings of worship. So we might ask the provocative question whether this period was familiar with such objects. Written sources (in the West and Armenia) along with material objects (especially in the South Caucasus region) allow us to clearly demonstrate how early medieval practice did not differ from that known from the ancient world. The secondary use of stone models, however, shows us how much richer and more creative aspects the pre-modern world had instead: from simple design elements, models became part of a ritual and perfomative community life.

Anglicky

The architectural model is one of the essential elements in the representation of prestigious patrons in the early medieval world. However, these model-images generally have little in common with the practice of designing buildings of worship. So we might ask the provocative question whether this period was familiar with such objects. Written sources (in the West and Armenia) along with material objects (especially in the South Caucasus region) allow us to clearly demonstrate how early medieval practice did not differ from that known from the ancient world. The secondary use of stone models, however, shows us how much richer and more creative aspects the pre-modern world had instead: from simple design elements, models became part of a ritual and perfomative community life.