Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze

FOLETTI, Ivan a Katarína KRAVČÍKOVÁ. Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze. In Tereza Horáková, Veronika Řezníčková. Od myšlenky k architektuře. Brno: B&P, 2024, s. 103-116. ISBN 978-80-280-0290-9.

Základní údaje

• Originální název: Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze
• Název anglicky: Image or concept? Models of architecture in the early Middle Ages (not only) in the Caucasus
• Autoři: FOLETTI, Ivan a Katarína KRAVČÍKOVÁ.
• Vydání: Brno, Od myšlenky k architektuře, od s. 103-116, 14 s. 2024.
• Nakladatel: B&P

Další údaje

• Originální jazyk: čeština
• Typ výsledku: Kapitola resp. kapitoly v odborné knize
• Obor: 60401 Arts, Art history
• Stát vydavatele: Česká republika
• Utajení: není předmětem státního či obchodního tajemství
• Forma vydání: tištěná verze "print"
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• ISBN: 978-80-280-0290-9
• Klíčová slova anglicky: Models of Architecture; Caucasus; Trdat; Hagia Sophia; Images and Liturgy

Anotace

The architectural model is one of the essential elements in the representation of prestigious patrons in the early medieval world. However, these model-images generally have little in common with the practice of designing buildings of worship. So we might ask the provocative question whether this period was familiar with such objects. Written sources (in the West and Armenia) along with material objects (especially in the South Caucasus region) allow us to clearly demonstrate how early medieval practice did not differ from that known from the ancient world. The secondary use of stone models, however, shows us how much richer and more creative aspects the pre-modern world had instead: from simple design elements, models became part of a ritual and perfomative community life.

Anotace anglicky

The architectural model is one of the essential elements in the representation of prestigious patrons in the early medieval world. However, these model-images generally have little in common with the practice of designing buildings of worship. So we might ask the provocative question whether this period was familiar with such objects. Written sources (in the West and Armenia) along with material objects (especially in the South Caucasus region) allow us to clearly demonstrate how early medieval practice did not differ from that known from the ancient world. The secondary use of stone models, however, shows us how much richer and more creative aspects the pre-modern world had instead: from simple design elements, models became part of a ritual and perfomative community life.