Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo.

VAGATA, Daniela Shalom. Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo. 2024.

Základní údaje

• Originální název: Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo.
• Autoři: VAGATA, Daniela Shalom.
• Vydání: 2024.

Další údaje

• Originální jazyk: italština
• Typ výsledku: Prezentace na konferencích
• Stát vydavatele: Itálie
• Utajení: není předmětem státního či obchodního tajemství
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• Klíčová slova anglicky: genetic criticism, Ugo Foscolo, variants, critical edition

Anotace anglicky

Ugo Fosolo’s Inni alle Grazie is a “work in progress” whose different editorial stages proves distinct authorial intentions. In my paper I examine the fragments belonging to the stages entitled Primi esperimenti and Stesure del Carme tripartito according to the Edizione Nazionale (1985), and in comparison with the fragments of the previous and the subsequent editorial stages of Inni alle Grazie. The analysis shed lights on the constants and the variants of the Foscolo’s first attempts to write from the one hymn to the three hymns, and it focuses on the specific progression of the mythopoiea at this stage of the creative process of Inni alle Grazie. Ugo Fosolo’s Inni alle Grazie is a “work in progress” whose different editorial stages proves distinct authorial intentions. In my paper I examine the fragments belonging to the stages entitled Primi esperimenti and Stesure del Carme tripartito according to the Edizione Nazionale (1985), and in comparison with the fragments of the previous and the subsequent editorial stages of Inni alle Grazie. The analysis shed lights on the constants and the variants of the Foscolo’s first attempts to write from the one hymn to the three hymns, and it focuses on the specific progression of the mythopoiea at this stage of the creative process of Inni alle Grazie.