Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century

FOLETTI, Ivan a Margarita KHAKHANOVA. Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century. Brno/Turnhout: Brepols, 2024, 128 s. Convivium Micrographies 1. ISBN 978-80-280-0576-4.

Základní údaje

• Originální název: Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century
• Název anglicky: Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century
• Autoři: FOLETTI, Ivan a Margarita KHAKHANOVA.
• Vydání: Brno/Turnhout, 128 s. Convivium Micrographies 1, 2024.
• Nakladatel: Brepols

Další údaje

• Typ výsledku: Odborná kniha
• Obor: 60401 Arts, Art history
• Utajení: není předmětem státního či obchodního tajemství
• Forma vydání: tištěná verze "print"
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• ISBN: 978-80-280-0576-4
• Klíčová slova anglicky: Russian Imperialism; Armenian Art; Medieval Studies; Dividi et Impera; Stalin; Scholarship and Politics

Anotace

Despite its incredible richness, the Armenian cultural heritage remains at the margins of the art historical canon. The roots of this situation can be traced back to the second half of 19th century when Armenian art was deliberately marginalized by the official scholarship within the Russian Empire. By providing a historiographical examination of this context, we aim to demonstrate how medieval Armenian art became a tool in the Russian imperialistic policy. Besides, we also attempt to address the impact of the late 19th-century imperialism on our present.

Anotace anglicky

Despite its incredible richness, the Armenian cultural heritage remains at the margins of the art historical canon. The roots of this situation can be traced back to the second half of 19th century when Armenian art was deliberately marginalized by the official scholarship within the Russian Empire. By providing a historiographical examination of this context, we aim to demonstrate how medieval Armenian art became a tool in the Russian imperialistic policy. Besides, we also attempt to address the impact of the late 19th-century imperialism on our present.