Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century

FOLETTI, Ivan a Margarita KHAKHANOVA. Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century. 1. vyd. Brno/Turnhout: koedice Masarykova univerzita / Brepols, 2024. Convivium Micrographies 1. ISBN 978-80-280-0576-4.

Základní údaje

Originální název

Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century

Název anglicky

Armenophobia. Art, Scholarship, and Russian colonial policy at the turn of the 20th century

Autoři

FOLETTI, Ivan a Margarita KHAKHANOVA

Vydání

1. vyd. Brno/Turnhout, Convivium Micrographies 1, 2024

Nakladatel

koedice Masarykova univerzita / Brepols

---

Další údaje

Typ výsledku

Odborná kniha

Obor

60401 Arts, Art history

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

ISBN

978-80-280-0576-4

Klíčová slova česky

ruský imperialismus; arménské umění; výzkum; rasové teorie; kulturní politika

Klíčová slova anglicky

Russian Imperialism; Armenian Art; Medieval Studies; Dividi et Impera; Stalin; Scholarship and Politics

Štítky

Munipress

---

Anotace

V originále

Despite its incredible richness, the Armenian cultural heritage remains at the margins of the art historical canon. The roots of this situation can be traced back to the second half of 19th century when Armenian art was deliberately marginalized by the official scholarship within the Russian Empire. By providing a historiographical examination of this context, we aim to demonstrate how medieval Armenian art became a tool in the Russian imperialistic policy. Besides, we also attempt to address the impact of the late 19th-century imperialism on our present.

Anglicky

Despite its incredible richness, the Armenian cultural heritage remains at the margins of the art historical canon. The roots of this situation can be traced back to the second half of 19th century when Armenian art was deliberately marginalized by the official scholarship within the Russian Empire. By providing a historiographical examination of this context, we aim to demonstrate how medieval Armenian art became a tool in the Russian imperialistic policy. Besides, we also attempt to address the impact of the late 19th-century imperialism on our present.